A Quote by Ernest Hemingway

You see I'm trying in all my stories to get the feeling of the actual life across, not just to depict life, or criticize it, but to actually make it alive. — © Ernest Hemingway
You see I'm trying in all my stories to get the feeling of the actual life across, not just to depict life, or criticize it, but to actually make it alive.
You see, I am trying in all my stories to get the feeling of the actual life across - not to just depict life - or criticize it - but to actually make it alive. So that when you have read something by me, you actually experience the thing. You can't do this without putting in the bad and the ugly as well as what is beautiful.
I’m trying in all my stories to get the feeling of the actual life across—not to just depict life—or criticize it—but to actually make it alive. So that when you have read something by me you actually experience the thing. You can’t do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can’t believe in it. Things aren’t that way.
I found very early on when I became a hip-hop artist that I loved telling stories. Actually, when I was trying to get a message across it was more powerful when I told a story, rather than if I used a metaphor or if I preached about an issue. And through doing that I realised that actually these stories were very visual in my head and I couldn't wait to make the videos.
I've loved hip-hop all of my life, but there came a time in my life when my entire life had a shift: where, before, I was just kind of going to church every now and then; then, there was an actual change, where I actually understood who Jesus was, actually understood the message of the Gospel, and my entire life changed.
I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view.
I wake up so full of life and feeling so alive and so full of joy when I get to go to a set and tell a story. I just - I couldn't imagine not having that, and what a gift it's been in my life.
Don't get me wrong, God Bless the farmers and cowboys. It just wasn't the life I wanted. When writing stories of other lands, I can describe people and places from actual experience. And for someone with an imagination like me, I could see dinosaurs and lost civilizations in the jungle of Vietnam.
I may not get the opportunity to make movies for my whole life, but I'm going to make movies for the rest of my life. Maybe studios won't pay for it, but I'm going to do it because I love it. So, I just have to be proud of what I make, and what I'm trying to say in what I make. If people don't like it or people don't see it, that's beyond what I can control. I'm a storyteller, and people are going to listen or not and like it or not. That's only solidified over time.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
There's just a feeling you get from certain things you do in life that just kind of feel pure and independent of what's actually, physically, going on.
I don't consider myself a great actress. I'm just trying to stay alive, actually. I think I'm good, and I've learned a lot, certainly, mostly in the theater. I've been sloughed off movies for years. But what can you do? That's life.
Our racing simulator is more about gathering data about the car, trying different setups, and trying to find speed in the actual racecar as opposed to speed in the actual driver. There's no other way to get that kind of testing in, without doing the actual event, or getting outside and spending the money to make it happen. And it costs a lot to go to the racetrack.
We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.
I love helping other people. When I made a commitment to stay in the South, to work for change, it meant devoting my life to working for and helping others. I feel good when I know that I've saved someone's farm, or helped a family to get a home or access to credit. Or when I can get young people to see that there's more to life than just trying to make the biggest dollar for yourself.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
I've had my moments of feeling miserable in my life, as has everyone, but it's not often that you actually get the opportunity to indulge that feeling. Mostly when people are depressed or miserable, they have to snap out of it because it doesn't work. It doesn't suit day-to-day life.
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