A Quote by Ernest Hemingway
If you have a success, you have it for the wrong reasons. If you become popular it is always because of the worst aspects of your work.
Related Quotes
If you have a success you have it for the wrong reasons. If you become popular it is always because of the worst aspects of your work.
I'm an optimist. I hope if a movie's good that it will be a success, but as we know, that's not always true, just because of popular taste, advertising, distribution patterns - there's lots of reasons.
Its only when you are a great actor and are recognised for your good work that you become famous. Unless you are in the news for the wrong reasons!
It's better to be controversial for the right reasons, than to be popular for the wrong reasons.
The truth is despite the hard work and juggling required to keep the different facets of the frantic life afloat, the "superwoman"has one marvelous compensation. Being busy and being seen to be busy lets you off the hook. Buys you a way out of all aspects of your many roles you secretly despiselike cleaning cupboardsor entertaining your husband's business friends. When you combine wife, mother, career and all, each role become the perfect excuse for avoiding the worst aspects of the other.
The easiest thing to do is to rag on the media, because it isn't doing a very good job right now. It is so much easier to profit from celebrating the worst aspects of ourselves. Acting strikes me as the antithesis of that. We can examine the worst aspects of ourselves, but we don't have to celebrate them.
I'm an optimist. I hope if a movie's good that it will be a success, but that's not always true, just because of popular taste or any other reasons. When something doesn't do better than it deserves to in your mind, it's pretty transparent - you usually know why. Is that a comfort? Yes, because it's logical. Does it make you happy? No, because if you think a movie is beautiful or interesting, you want to share it. Sometimes you make very interesting movies that aren't meant for everybody. But this is a capitalist society, so everything conspires to put value on whether it sells or not.
In my own work, humor is necessary, for the reasons stated above, but also because forbidding your characters silliness, absurdity, irony, and vulgarity forbids them aspects of the human experience every bit as universal as sorrow.
Whenever you do a film for the wrong reasons, it may or it may not pan out. Sometimes people do it because it is a good move or the right move. I don't know; maybe one day I will do a film for the wrong reasons, and it will work for me.
Wrongful convictions happen every week in every state in this country. And they happen for all the same reasons. Sloppy police work. Eyewitness identification is the most - is the worst type almost. Because it's wrong about half the time. Think about that.
You do stand-up because you have to do it. If you're doing it to become 'famous,' you're wrong. If you're doing it to become a millionaire, you're doing it for the wrong reasons. In 2003, I was flat broke. I'd been doing stand-up for 14 years at that point. I loved it and just kept at it.
Never go into debt to become a writer. Always find other ways to support yourself so you can do the work you truly love for the right reasons. Never ask your art to support you. If you ask your art to support you it will either end up comprised or you'll be disappointed with it. It's a lot to ask of creativity for it to provide for you financially. Find a scrappy way to get by and then do the work you love for the reasons you love.
An actor is always looking for something. When your luck improves, trends change, you get one of those roles that do very well, sometimes even your worst work becomes a super success. So one can never predict what will happen tomorrow.
Success is when the whole gets enlightened. When you become one with the whole, that's the real success. To be one with the whole is the real success. And when that success is achieved, then you really enjoy that growth - that growth of your awareness which makes you one with the whole. That is what you have to know, is to become your whole. You are just a fragment, a segment, a cell. You have to become the whole and that can be done only through this connection.
Weaknesses in men of genius are usually an exaggeration of their personal feeling; in the hands of feeble imitators they become the most flagrant blunders. Entire schools have been founded on misinterpretations of certain aspects of the masters. Lamentable mistakes have resulted from the thoughtless enthusiasm with which men have sought inspiration from the worst qualities of remarkable artists because they are unable to reproduce the sublime elements in their work.
To be ambitious for wealth, and yet always expecting to be poor, to be always doubting your ability to get what you long for, is like trying to reach east by traveling west. . . . No matter how hard you work for success, if your thought is saturated with the fear of failure, it will kill your efforts, neutralize your endeavors, and make success impossible.
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