A Quote by Ernest Hemingway
The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.
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The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
Big tears of frustration and exhaustion were streaming down his cheeks. But because of all the wrinkles, they weren't dripping off. They spread out and ran together again, leaving a watery film over his ruined face.
A few months before my dad died, his eyes had started to go, and his skin was turning green. When he finally went to hospital, he was diagnosed with late-stage pancreatic cancer. None of us kids knew why the old man ignored the doctors and refused their help, but none of us were surprised, either.
The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. (Speak To Me Of Death)
Jem gave a reasonable description of Boo: Boo was about six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that's why his hands were bloodstained - if you ate animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time.
Once upon a time, a fisherman went out to sea. He caught many fish and threw them all into a large bucket on his boat. The fish were not yet dead, so the man decided to ease their suffering by killing them swiftly. While he worked, the cold air made his eyes water. One of the wounded fish saw this and said to the other: "What a kind heart this fisherman has- see how he cries for us." The other fish replied: "Ignore his tears and watch what he is doing with his hands.
Pain! Deep, tearing, throbbing, needle-sharp, hammer-blunt pain – ripping through his body and through his mind, twisting deep in his guts and slicing at his skin with razors and broken glass. Oskan wanted to scream, but his vocal cords had burned away. He was desperate for water and he could hear it dripping all around him, but his charred tongue found nothing in his mouth but blisters and scorched flesh. For hours he lay on the ropes of the low bed, unable to move, the pressure of the hemp on his destroyed skin sending new agonies deep into his body.
The reason why Matthew Arnold, to my feeling, fails entirely as a poet (though no doubt his ideas were good - at least, I am told they were) is that he had no sense of touch whatsoever. Nothing made any impression on his skin. He could feel neither the shape nor the texture of a poem with his hands.
I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks.
There was a brisk northern wind, heavy and wet with the salt of the sea, and he felt, as he turned his face to it, fresh life and strength surging in his blood and bracing his limbs.
Jack Palance was my distant uncle - that's the family gossip. Growing up, my family knew everything about his face getting burned and scarred in the military and how that mutilation led him to become such a famous 'heavy' in films. I prayed for good scars of my own. Not just acne scars.
He smelt of the sun, as if it had seeped deep into his skin, and I found myself inhaling silently, as if he were something delicious.
He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can't stop.
Bella." He strocked my face anxiously. "I'm not going anywhere. I'll be right here as long as you need me." "Do you swear you won't leave me?" I whispered. I tried to control the gasping, at least. My ribs were throbbing. He put his hands on either side of my face and brought his face close to mine. His eyes were wide and serious. "I swear.
He who wears his morality but as his best garment were better naked. The wind and the sun will tear no holes in his skin.
The main courtyard was filled with warriors - mermen with fish tails from the waist down and human bodies from the waist up, except their skin was blue, which I'd never known before.Some were tending the wounded. Some were sharpening spears and swords. One passed us, swimming in a hurry. His eyes were bright green, like that stuff they put in glo-sticks, and his teeth were shark teeth. They don't show you stuff like that in "The Little Mermaid.
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