A Quote by Ernest Hemingway
For a true writer each book should be a new beginning, where he tries again for something that is beyond attainment.
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For a true writer each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed.
For a true writer, each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed.
When an older writer tries to tell a younger writer through a review what kind of career she should be pursuing, it tends to speak to the reviewer's anxieties rather than the book itself.
I really strive to bring something new to each book. I don't want to write the same book over and over again.
My greatest wish — other than salvation — was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time.
I'm very much, like, 'We've all got to help each other.' If there's a new female writer, I'm much more likely to read her book than if it's by a new male writer.
Each book is a different staging post on the writer's journey, and each book stands by itself, regardless of the writer's relationship to it.
Human nature, at its best, had always been based on a deep heroic restlessness, on wanting something-something else, something more, whether it be true love or a glimpse just beyond the horizon. It was the promise of happiness, not the attainment of it, that had driven the entire engine, the folly and glory of who we are.
There is no better means of attainment to the spiritual life Than by continually beginning again.
At Knopf, we look at each book on a case-by-case basis... in some cases, we think a writer might get a boost from an endorsement by a fellow writer, but in other cases, a new book will be better served by other means, such as publicity and reviews.
That's true of every form of literature - each writer brings new things to it because each of us is an individual.
And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.
Every now and then, someone comes along - we used to call it 'New Jack' - tries to do something new, tries to take all the credit, without acknowledging the past.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.
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