A Quote by Ernest Hemingway
I do not think I had ever seen a nastier-looking man. Under the black hat, when I had first seen them, the eyes had been those of an unsuccessful rapist.
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There've been times where, like when I auditioned for 'Akeelah,' I think in the first audition I was a little bit afraid because it was, you know, I had seen girls in there that I had seen on TV before, and I was like, 'Man, I might as well just walk out of here now because I'm just a newcomer,' and this and that.
Looking over the country with those sunken eyes as if the world out there had been altered or made suspect by what he'd seen of it elsewhere. As if he might never see it right again. Or worse did see it right at last. See it as it had always been, would forever be.
Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
I had seen a lot of people who had been released from WWE, or asked for their release, and gone out into the wild unknown. There's more cases of it being unsuccessful than successful.
He was the tallest, thinnest, weariest boy I had ever seen in my life. He was brilliant. He had gorgeous brown eyes, and he had only two suits. He was completely unhappy, and I didn't know why.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
I can't imagine being mayor and not having had the experience working for President Clinton or President Obama, or, for that matter, working in Congress. On the other hand, I think I would have been a better adviser had I been mayor first. If I had had this job first, I could have seen the implications of things I was doing.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I had not seen that until - and when it first came out I was told. I had not seen or been aware of all of that physical evidence. And when I saw it, I was horrified. It was so astounding to me to see that there was that much evidence.
I saw a very old man, literally eating his own human waste out of hunger. I went to the nearby hotel and asked them what was available. They had idli, which I bought and gave to the old man. Believe me, I had never seen a person eating so fast, ever. As he ate the food, his eyes were filled with tears. Those were the tears of happiness.
I'm old enough now that I've been around and I've seen a lot more things than I had seen when I started this program 27 years. I have seen presidents in action. I have been to the White House a number of times. I have been to fundraisers. I have been seen what happens at fundraisers. I've seen how elected officials treat fundraisers and donors and, believe me, the world revolves around them.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
I had seen 'Hook' growing up - it was one of my favorite films - and I had seen the version of 'Peter Pan' that Jason Issacs was in, and I had seen the older versions, obviously the Disney version.
[Albert Camus] positions are sensed. So, naturally, those intellectuals who don't have that experience have difficulty in comprehending it. But I think it made Camus more tolerant because he had already seen both sides of things when the others had only ever seen one. They imagine poverty, but they don't know what it is. In fact they've got a sort of bad conscience about the working classes.
It was the first smile of my life. Of course, that is a ridiculous thing to say; I had been smiled at often, the big man had smiled at me not a minute since. And yet I say: it was the first smile, because it was the first that ever went straight into me like a needle too thin to be seen.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
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