A Quote by Ernest Hemingway

The world was not wheeling anymore. It was just very clear and bright and inclined to blur at the edges. — © Ernest Hemingway
The world was not wheeling anymore. It was just very clear and bright and inclined to blur at the edges.
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.
When Dawn looked at Vic, she saw Vic exactly as he wanted to be seen. Whereas Vic's parents couldn't help seeing who he used to be, and so many friends and strangers couldn't help seeing who he didn't want to be anymore, Dawn only saw him. Call it a blur if you want, but Dawn didn't see a blur. She saw a very distinct, very clear person.
The basis of self-discipline: Don't allow the edges to blur.
I was not 15 anymore, and choices no longer had that same clear, bright edge to them.
I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
A blur of great magic is still just a blur.
She is a loner, too bright for the slutty girls and too savage for the bright girls, haunting the edges and corners of the school like a sullen disillusioned ghost
That luminous part of you that exists beyond personality - your soul, if you will - is as bright and shining as any that has ever been. Bright as Shakespeare’s, bright as Gandhi’s, bright as Mother Theresa’s. Clear away everything that keeps you separate from this secret luminous place. Believe it exists, come to know it better, nurture it, share its fruits tirelessly.
I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.
I felt like the script [of "I Don't Feel at Home in This World Anymore"] was so clear. It was sort of packed full of information. [Macon Blair] puts in a lot of discussion in the script. Characters are introduced very thoughtfully. The way he described walking into particular environments was very specific.
I'm very aware there are lots of other people who are just bright and working just as hard, with just the same dedication to make the world a good place.
Latin America is not that different from the rest of the world. Some of us have been trying to get from the edges into the centre, but we're very few. The world is still very resistant to understanding the diversity of human beings.
I'm just trying to blur this very clear line we've drawn and are drawing over and over and over again between communities. Saying those are queer films and those are films. I would love for that line to disappear. For that frontier to be abolished once and for all.
Time does not act on memory to soften the edges, blur the details; if anything, it sharpens them. Emotions may lose their acid outlines, but not places and people, not if you wish to retain them.
Even bright people are going to have limited, really valuable insights in a very competitive world when they're fighting against other very bright, hardworking people. And it makes sense to load up on the very few good insights you have instead of pretending to know everything about everything at all times.
I'm usually very attracted to things that I can't define. If something's too clear, it's very often not inspiring to me anymore.
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