A Quote by Ernest Hemingway
Up the road, in his shack, the old man was sleeping again. He was still sleeping on his face and the boy was sitting by him watching him. The old man was dreaming about the lions.
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What we suffer from today is humility in the wrong place...The old humility was a spur that prevented a man from stopping; not a nail in his boot that prevented him from going on. For the old humility made a man doubtful about his efforts, which made him work harder. But the new humility makes a man doubtful about his aims, which will make him stop working altogether.
The boy should enclose and keep, as his life, the old child at the heart of him, and never let it go. He must still, to be a right man, be his mother's darling, and more, his father's pride, and more. The child is not meant to die, but to be forever fresh born.
Why prove to a man he is wrong? Is that going to make him like you? Why not let him save face? He didn't ask for your opinion. He didn't want it. Why argue with him? You can't win an argument, because if you lose, you lose it; and if you win it, you lose it. Why? You will feel fine. But what about him? You have made him feel inferior, you hurt his pride, insult his intelligence, his judgment, and his self-respect, and he'll resent your triumph. That will make him strike back, but it will never make him want to change his mind. A man convinced against his will is of the same opinion still.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
My 4-year-old son prays every night for his best friend who is the same age - our next door neighbor in Liberia, a little Liberian boy: 'Dear God, please don't let him get Ebola.' I'm proud of him for thinking about his friend and praying for him but that's not a prayer that a 4-year-old should have to consider.
Bodily pain affects man as a whole down to the deepest layers of his moral being. It forces him to face again the fundamental questions of his fate, of his attitude toward God and fellow man, of his individual and collective responsibility and of the sense of his pilgrimage on earth.
And what are you doing here, Nicholas? Decided to watch me sleep?" "Yes," said Nick, and bowed is head over his sword again. He had tissues, oil, and sandpaper laid out on the windowsill in front of him, and a little stone block he was passing his sword up and down, very carefully. "I came to gaze upon your sleeping face. Only you had the blanket over your head, so I just had to gaze at a lump I thought was your sleeping face, and that turned out to be your shoulder. Which just wasn't as special." ~Nick and Mae
We who have seen him now, light on his feet, smooth moving as a leopard, a young man with an old man's science, the most beautiful fighting machine I have ever seen, may live to see him fat, slow, old, and bald taking a beating from a younger man. But I would like to hazard a prediction that whoever beats Joe Louis in an honest fight in the next fifteen years will have to get up the floor to do it.
There is a man sleeping in the grass. And over him is gathering the greatest storm of all his days. Such lightening and thunder will come there has never been seen before, bringing death and destruction. People hurry home past him, to places safe from danger. And whether they do not see him there in the grass, or whether they fear to halt even a moment, but they do not wake him, they let him be.
It was about falling asleep with Sam's chest pressed against my back so I could feel his heart slow to match mine. It was about growing up and realizing that the feel of his arms around me, the smell of him when he was sleeping, the sound of his breathing -- that was home and everything I wanted at the end of the day. It wasn't the same as being with him and we were awake.
To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and again and often forever.
I didn't know what to do. How do you tell an eight-year-old boy his mother's going to die? I tried. In my own stumbling way I tried to prepare Jim for it. Nowadays, he lives in a world we don't understand too well, the actor's world. We don't see too much of him. But he's a good boy, my Jim. A good boy, and I'm very proud of him. Not easy to understand, no sir. He's not easy to understand. But he's all man, and he'll make his mark. Mind you, my boy will make his mark.
There was once a Bald Man who sat down after work on a hot summer's day. A Fly came up and kept buzzing about his bald pate, and stinging him from time to time. The Man aimed a blow at his little enemy, but — whack — his palm came on his head instead; again the Fly tormented him, but this time the Man was wiser and said: YOU WILL ONLY INJURE YOURSELF IF YOU TAKE NOTICE OF DISPICABLE ENEMIES.
Who sleeps at night? No one is sleeping.? In the cradle a child is screaming.? An old man sits over his death, and anyone? young enough talks to his love, breathes ?into her lips, looks into her eyes.
I was blessed enough to meet Pope John Paul when I was about 19 or 20 years old in the Vatican; I had that privilege, .. My mother took me to visit him and I remember distinctly his incredible charisma and personal charm and his warmth and compassion. You felt it immediately the minute you met him, and that spirit I came away with, having met the man, is something that I've been constantly working on to infuse the character with, so that we can have his spirit and his love and his compassion, because that's really the essence of the man.
This is a man with an old face, always old... There was pathos, in his face, and in his eyes. The early weariness; and sometimes tears in his eyes, Which he let slip unconsciously on his cheek, Or brushed away with an unconcerned hand. There were tears for human suffering, or for a glance Into the vast futility of life, Which he had seen from the first, being old When he was born.
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