A Quote by Ernest Hemingway

How did we go bankrupt? Two ways. Slowly, and then all of a sudden. — © Ernest Hemingway
How did we go bankrupt? Two ways. Slowly, and then all of a sudden.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
There is an old saying, "How did you go bankrupt?" And the answer is, "Gradually, and then suddenly." The impending fiscal crisis in the United States will make its appearance in the same way.
There are two ways of extending life: firstly by moving the two points "born" and "died" farther away from one another. The other method is to go more slowly and leave the two points wherever God wills they should be, and this method is for the philosophers.
I underwent a whole process of slowly letting go of idiosyncrasies and habits and embellishments and everything extraneous to the essentials that I'm unwilling to let go of. I never dreamed that I would be making black-and-white paintings with so little embellishment. But it's been liberating in many ways to let go of that and yet see what I did want to retain.
These are stupid people that say, ‘Oh didn’t Trump declare bankruptcy? Didn’t he go bankrupt?’ I didn’t go bankrupt.
Barack Obama inherited a bankrupt economy, a bankrupt government, and a bankrupt foreign policy.
When I was a little girl, I did not listen to music much. I did not think that one day I would become a rapper. I was born in a very traditional and religious family. Being a female was destroying my dreams. Slowly, first through poetry and then music, I began to find ways to share my thoughts and feelings, talk to my family and to the world.
Most people think, "Life sucks, and then you die." I disagree. I think life sucks. Then you get cancer. Then you go into chemotherapy. You lose all your hair, you feel bad about yourself. Then all of the sudden the cancer goes into remission, and then all of the sudden you have a stroke. You can't move your right side. And then, maybe, you die.
Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"
There are two ways to go about it. You can take a compass and draw a perfect circle and make two perfect eyes as neat as can be. Or you can do it freehand and have some fun with it. Like I did. Give it character.
Before, I guess, mum and dad were everything, but now, in my case, I had two new girls and all of a sudden they're completely dependent on you and there's a third generation. It's a funny shift all of a sudden. You have the babies, you have yourself and then you have your parents.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
And then, one acting class turned into two, turned into four, and then turned into, "I love this. I could do this for the rest of my life. But, I don't have a background in acting. I never acted in college, or did anything like that. How can I go about doing this?" That meant going to grad school and getting some training, and I did. I literally walked down the path. It was real fortuitous for me to walk by that school, that one morning.
I created my MySpace page in eighth grade, because that's how all my friends talked to each other, so I made one, too. Then, all of a sudden, my friends started putting my songs on their profiles, and then their relatives, their friends in different states did.
You know, there are good reasons to learn how to read. Poetry isn't one of them. I mean, so what if two roads go two ways in a wood? So what? Who cares if it made all that big a difference? What difference? And why should I have to guess what the difference is? Isn't that what he's supposed to say? Why can't poets just say what they want to say and then shut up?
Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my Master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.
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