A Quote by Ernest Hemingway

No; that doesn't interest me.' 'That's because you never read a book about it. — © Ernest Hemingway
No; that doesn't interest me.' 'That's because you never read a book about it.
I attempt to read one book every day. I don't always achieve that, especially when I'm traveling. But when I'm home, I read almost a book a day. I certainly read a minimum of two or three a week. And as a result of that, I've read over 3,000 books in areas that interest me, like consciousness and spirituality, holistic health, leadership, success, psychological awareness, therapy, etc.
I never read. I've never read one book... I just can't do it. Something's wrong with me. I have what they call now is 'ADD,' like I'll read and all of a sudden I'll be thinking about shopping or... I'm not there. I drift off. I get crazy, so I don't even bother.
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
I never could read science fiction. I was just uninterested in it. And you know, I don't like to read novels where the hero just goes beyond what I think could exist. And it doesn't interest me because I'm not learning anything about something I'll actually have to deal with.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read? If a tree falls in a forest and gets pulped to make paper for a book that never gets read, but there's nobody there to read it, does it make a sound?
The book on my nightstand right now isnt anything that inspired me, but it entertained me. I read a book on Labor Day, it was a holiday, and I have three daughters, and we all went to the shopping mall and I sat on the bench and read a book while they shopped, it was called The Greatest Golfer there Ever Was, it was a great book, easy to read and entertaining.
I was never confident about finishing a book, but friends encouraged me. When I finished my first book, it was accepted by a publisher right away and became an instant bestseller. One male critic called it the most shocking book he ever read.
Because I never attended elementary schools of any kind, I missed most of the books that were popular with other kids my age. There was an exception, however, which was 'Harry Potter.' My grandmother gave me the first book when I was about 13, and I read it, then read all the rest.
I was raised pretty much a fundamentalist, but the one thing that fundamentalism gave to me was the love for that book and a commitment to read and study it. The difficulty is that I've read it all, I didn't skip around, I read it all, and when you read it all, you can't take it literally because you don't want to blame God for a lot of stuff that occurs in that book. There are some pretty violent scenes.
I read a lot of books about psychopaths. I read a wonderful book Amy Hempel gave me about the guy who created criminal profiling - a fascinating book, 'Mind Hunter.'
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.
Sometimes, readers, when they're young, are given, say, a book like 'Moby Dick' to read. And it is an interesting, complicated book, but it's not something that somebody who has never read a book before should be given as an example of why you'll really love to read, necessarily.
One of the bad things about being a filmmaker, about being me, is I can hardly read a book anymore because every time I read something, I have a poaching mentality, like, 'Oh, can this be a movie?'
I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. But I've never read a book on what a shape is.
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