A Quote by Ernest Hemingway

I am trying to make, before I get through, a picture of the whole world--or as much of it as I have seen. Boiling it down always, rather than spreading it out too thin. (On Writing.)
Always, the eye sees more than the mind can comprehend, and we go through life self-blinded to much that lies before us. We want a simple world, but we live in a magnificently complex one, and rather than open ourselves to it, we perceive the world through filters that make it less daunting.
I think it's so important to be healthy and confident and natural. And not put too much stress on trying to be thin - I don't get the thin, thin thing at all.
I would much rather not be the center of attention, and I'd much rather travel and be writing my novel, rather than standing on a stage and trying to get people to understand something.
I think the sensible thing would be to focus on one thing and be the best you can be at it. There is always that risk of spreading yourself too thin if you try to do too much.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
A part is always too limited to explain the whole. You might picture a worldview as trying to stuff the entire universe into a box. Invariably, something will stick out of the box. Its categories are too "small" to explain the world.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
The thrill of writing songs for other people, when you get that right, that person's soul speaks to that song; you've done them a favor and the world a favor. That's what writing is all about - you're always trying to get the real picture.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
Because of the person I am I won't be knocked down — ever. They can say I'm fat, I'm thin, I'm whatever, and I'll never stop. I just won't. I've got too much to do. I've too much to be happy about.
I know how to choke. Given even a splinter-thin opportunity to let my side down and destroy my own score, I will seize it. Not only does ice water not run through my veins, but what runs there has a boiling point lower than body temperature.
Part of the difficulty in trying to be both an artist and a businessperson is this: You make a picture because you have seen something beyond price; then you are to turn and assign to your record of it a cash value. If the selling is not necessarily a contradiction of the truth in the picture, it is so close to being a contradiction—and the truth is always in shades of gray-that you are worn down by the threat.
I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
It’s much better to be a tribal writer, writing for all people and reflecting many voices through us, than to be a cloistered being trying to find one peanut of truth in our own individual mind. Become big and write with the whole world in your arms.
If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.
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