A Quote by Ernest Hemingway

Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor. — © Ernest Hemingway
Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor.
The degree to which you're peculiar and different is the degree to which you must learn to hear people thinking. Just in self-defense you have to learn, where is their kindness? Where is their danger? Where is their generosity?
Art is a creative effort of which the wellsprings lie in the spirit, and which brings us at once the most intimate self of the artist and the secret concurrences which he has perceived in things by means of a vision or intuition all his own, and not to be expressed in ideas and in words-expressible only in the work of art.
On that night I was left with only the truth that nothing of our personality survives after death, that in the end all that was Misha Vainberg would evaporate along with the styles and delusions of his epoch, leaving behind not one flutter of his sad heavy brilliance, not one damp spot around which his successors could congregate to appreciate his life and times.
There ought to be only one large art warehouse in the world, to which the artist could carry his art-works and from which he could carry away whatever he needed. As it is one must be half a tradesman.
Art is an affirmation of life, a rebuttal of death. And here we blunder into paradox again, for during the creation of any form of art, art which affirms the value and the holiness of life, the artist must die. To serve a work of art, great or small, is to die, to die to self.
Much of the art of the 1960s, from body art to video and direct performance, was concerned with similar issues. And then there was media art, which made it possible to express things directly, without having to rely on the written word, which was manipulated by men.
Through the most simple things which we do all the time, we can feel out to which degree we honor everything with our inner attention.
I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.
The monopoly capitalists - even while employing purely empirical methods - weave around art a complicated web which converts it into a willing tool. The superstructure of society ordains the type of art in which the artist has to be educated. Rebels are subdued by its machinery and only rare talents may create their own work. The rest become shameless hacks or are crushed.
The Best of the artist's art, which will one day be in a Museum wall, the Painting that sets the artist apart of all other artist artists.
Thoughts and emotions which never perhaps were in the mind of the artist, never were anticipated, never were intended by him - may be strongly suggested by his work. This is an important part of the morals of art, which we must never lose sight of. Art is not only for pleasure and profit, but for good and for evil.
Public libraries are the sole community centers left in America. The degree to which a branch of the local library is connected to the larger culture is a reflection of the degree to which the community itself is connected to the larger culture.
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.
Death can be understood as the passage from one form to another, from a limited degree of life to another higher, freer one. It is wrong to assume that everything ends with death; what ends is only the temporary conditions in which people have lived on earth.
The present danger which this country faces is at least as great as the danger which we faced during the war with Germany and Japan. Briefly stated, it is the very real danger that this country, as we know it, may cease to exist.
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