A Quote by Ernest Hemingway
There are events which are so great that if a writer has participated in them his obligation is to write truly rather than assume the presumption of altering them with invention.
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You never know what you're going to end up with when you sit down to write something. At the end, if it holds, it can do this multifarious thing - which is to open things rather than close them, to make them bigger rather than smaller, to cross those divides which we live every day of our lives.
In tragedy great men are more truly great than in history. We see them only in the crises which unfold them.
When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth the separate and equal station to which the laws of nature and of nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
A great writer created a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
I used to want to be a children's writer, because I would have all these great ideas when I was little, and I'd write them and draw them, and turn them into class.
I keep boxes filled with recuerdos - little memories that are in the form of pictures and events that I've written down. It's funny that I chose to write them in Spanish rather than English or Portuguese.
Let there be two possible things, A and B, one of which is such that it is necessary that it exists, and let us assume that there is more perfection in A than in B. Then, at least, we can explain why A should exist rather than B and can foresee which of them will exist; indeed, this can be demonstrated, that is, rendered certain from the nature of the thing.
Those of us who obsess over every word and action are constantly recalling past events, but that doesn't make them any less painful, nor does it help us transcend them. To write memoir, you have to not only recollect past events, you have to revisit them. You have to get back to the mental and emotional state you were in during those events.
Independently of the curious circumstance that such tales should be found existing in very different countries and languages, which augurs a greater poverty of human invention than we would have expected, there is also a sort of wild fairy interest in them, which makes me think them fully better adapted to awaken the imagination and soften the heart of childhood than the good-boy stories which have been in later years composed for them.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny. And I discovered a lot of great writers that went on to do a lot of great shows like 'Seinfeld,' 'Friends,' you know, 'Three and a Half Men.'
It is easier for the reader to judge, by a thousand times, than for the writer to invent. The writer must summon his Idea out of nowhere, and his characters out of nothing, and catch words as they fly, and nail them to the page. The reader has something to go by and somewhere to start from, given to him freely and with great generosity by the writer. And still the reader feels free to find fault.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
The face of love is variable. I am able to love without demanding that my relationships assume the structures and forms I might choose for them. My love is fluid, flexible, committed, creative. My love allows people and events to unfold as they need. My love is not controlling. It does not dictate or demand. My love allows those I love the freedom to assume the forms most true to them. I release all those I love from my preconceptions of their path. I allow them the dignity of self-definition while I offer them a constant love that is every variable in shape.
I try to write three jokes every morning, although I don't know what they are. I write them as fast as I can, then I put them away for a month. So I couldn't even tell you what they are, or if they're good. I just assume they weren't.
Your job as a writer is to find storylines, narrative structures, and characters to show the things that you believe rather than saying them or telling them.
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