A Quote by Ernest Newman

A good composer is slowly discovered and a bad composer is slowly found out. — © Ernest Newman
A good composer is slowly discovered and a bad composer is slowly found out.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
When you have a stroke, you must talk slowly to be understood, and I've discovered that when I talk slowly, people listen. They think I'm going to say something important!
Remember from this very moment: always choose that which is good for you and good for others. Choose creativity. Become a blessing to existence, because that is the only way that we can persuade God to become a blessing to us. That's the only true prayer: becoming a blessing to everyone - to people, to animals, to trees, to life in all its forms. If one remains consciously alert, slowly slowly the art is learned; slowly slowly it becomes just natural.
Books are slow. They require time; they are written slowly, published slowly, and read slowly.
I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
One must always practice slowly. If you learn something slowly, you forget it slowly.
One must practice slowly, then more slowly, and finally slowly.
It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
It's the vision of the composer that we have to determine, and not the absolute mathematical adherence of the score. In my experience, there have been occasions where I feel that a composer has not notated something as they meant to have it represented.
I am a passionate, committed composer, and the guy I used to write musicals with, once he was able to ditch me and get a better composer, actually won the Tony.
This site uses cookies to ensure you get the best experience. More info...
Got it!