A Quote by Ernest Newman

The finest singing, given a good voice to begin with, comes from the constant play of a fine mind upon the inner meaning of the music. — © Ernest Newman
The finest singing, given a good voice to begin with, comes from the constant play of a fine mind upon the inner meaning of the music.
We all have an inner teacher, an inner guide, an inner voice that speaks very clearly but usually not very loudly. That information can be drowned out by the chatter of the mind and the pressure of day-to-day events. But if we quiet down the mind, we can begin to hear what we're not paying attention to. We can find out what's right for us.
In fact, I started my career as a theatre actor, along with Sachin Khedekar, with a musical play called 'Aflatoon,' where I sang quite a bit. So, singing isn't alien to me, but over the years, because of the constant abuse of smoking that I've put my throat through, my voice doesn't sound as good.
The creative part, with the writing of it and the vision, and finding the voice of a show and the characters, is much harder to teach somebody. It's like music. You can either play it or you can't. If you can't play music and you really struggle and work hard, you can learn, but you have to have some inner gift to take it to the next level.
Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.
Showrunning is when you're the constant creative voice in the show. For a year-and-a-half, you are working on the scripts, you're fine-tuning them, you're the final say on the edit, the music and the cast.
I just listened to that inner voice. By the way, it's always a good move to listen to that inner voice... if it doesn't lead to a crime
Your mind is merely a servant, and it behaves well if it is given positive impulses; it behaves very poorly if it is given negative impulses. The mind assumes that it understands whatever it controls. This is the central problem in a mind-dominated world. Substituting control for understanding will only deplete your life, leaving it stripped of richness, power, and meaning. The answers to healing your life will be found in the inner strength of your heart.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
The fact that I'm obviously well enough to be playing - in fine fettle and fine singing voice, yet I am not playing with The Libertines - is a sore point.
The things, good Lord, that we pray for, give us the grace to labour for', as Sir Thomas More expressed it. The inner voice of prayer expresses itself naturally in action, just as the inner voice of my brain guides all my bodily actions.
I'm not going to do anything that will damage my voice because my voice is my career and singing is my passion. I was singing in the cot and I'll still be singing when they're nailing down my coffin.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
I can play the flute. Music was my favourite A-level, and I used to love composing my and stylising my voice to sound like 90's singing sensation Tori Amos.
This site uses cookies to ensure you get the best experience. More info...
Got it!