A Quote by Ernest Renan
Forgetfulness, and I would even say historical error, are essential in the creation of a nation.
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Error is not just acceptable, it is necessary for the continuation of life, provided it is not too great. A large error is a catastrophe, a small error is essential for enhancing existence. Without error, there is no movement. Death follows.
When it comes to cyber conflicts between, say, America and China or even a Middle Eastern nation, an African nation, a Latin American nation, a European nation, we have more to lose.
No one expects this nation to become a theocracy, where Christianity is the only value, but we do indeed say that the essential values and founding principles of the nation should not be ignored.
We are calling ourselves a startup nation, but the number of people who set out on their own is very low; even 10,000 a year would be low in a country like India. We can say we are a startup nation but the world won't say it.
No consensus of men can make an error erroneous. We can only find or commit an error, not create it. When we commit an error, we say what was an error already.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
Error is a supposition that pleasure and pain, that intelligence, substance, life, are existent in matter. Error is neither Mind nor one of Mind's faculties. Error is the contradiction of Truth. Error is a belief without understanding. Error is unreal because untrue. It is that which stemma to be and is not. If error were true, its truth would be error, and we should have a self-evident absurdity -namely, erroneous truth. Thus we should continue to lose the standard of Truth.
It is (to describe it figuratively) as if an author were to make a slip of the pen, and as if this clerical error became conscious of being such. Perhaps this was no error but in a far higher sense was an essential part of the whole exposition. It is, then, as if this clerical error were to revolt against the author, out of hatred for him, were to forbid him to correct it, and were to say, "No, I will not be erased, I will stand as a witness against thee, that thou art a very poor writer."
Any error about creation also leads to an error about God.
The word 'sin' is beautiful; it comes from a root which means 'forgetfulness'. You may not be able to see the connection between forgetfulness and sin, but there IS a connection: forgetfulness means unawareness, unconsciousness.
I believe the example of the Zapatistas is a very relevant historical example. I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history
Nationality is not a universal human principle but an historical, local fact...Every nation, even a small one, has its own character, its own particular way of life and manner of speaking, feeling, thinking, and behaving. These distinctive features are the essence of nationality, the product of a nation's entire history and conditions of existence. Every nation, like every individual, is of necessity what it is, and has an unquestionable right to be itself. So-called national rights consist precisely of this.
People are wrong when they say that everything should be more diverse, even, say, rock bands. It's an error, an overgeneralization.
I do like the idea of the novel of repressed college students being a contemporary novel of courtship! I guess what I would say to that is, we tend to think of historical periods and historical mores as ending a lot more concretely than they do. Like, in an Austen novel, there are lots of reasons - cultural, moral, religious - why the characters don't have sex during courtship. Maybe, even though those reasons have kind of expired, historically, they're still around in some sense.
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