A Quote by Ernest Rutherford
Every good laboratory consists of first rate men working in great harmony to insure the progress of science; but down at the end of the hall is an unsociable, wrong-headed fellow working on unprofitable lines, and in his hands lies the hope of discovery.
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The purpose of a tax cut is to leave more money where it belongs: in the hands of the working men and working women who earned it in the first place
The spirit of Christmas lives with us. We are the protectors of the real tradition of Christmas-peace on Earth and Goodwill to all. We are the hope of Man-the only hope. Mankind's salvation lies within our hands. With our tech and ability we can create here on Earth a real heaven where men can be free. In our hands lies the power to restore to Man his determinism and all that he finds good in himself-his honesty, his integrity, and the thrill of being of real help to others. A very Merry Christmas to you all and a bright friendly new year.
From him [Wilard Bennett] I learned how different a working laboratory is from a student laboratory. The answers are not known!
[While an undergraduate, doing experimental measurements in the laboratory of his professor, at Ohio State University.]
The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.
But in the end, mastery involves working and working and showing little improvement, perhaps with a few moments of flow pulling you along, then making a little progress, and then working and working on that new, slightly higher plateau again. It's grueling, to be sure. But that's not the problem; that's the solution.
But at the same time I went down into the mines with working miners who are still young men, younger than I am, who are aware that their working life is coming to an end and they feel suddenly cut off.
Critics help you progress: you end up working more; you want to show them they are wrong.
It's better to read first rate science fiction than second rate science-it's a lot more fun, and no more likely to be wrong.
It's often better to read first-rate science fiction than second-rate science - it's far more stimulating, and perhaps no more likely to be wrong.
[...] any fool can make a discovery. Every baby has to discover more in the first years of its life than Roger Bacon ever discovered in his laboratory.
Don't buy society’s definition of success. Because it’s not working for anyone. It’s not working for women, it's not working for men, it's not working for polar bears, it's not working for the cicadas that are apparently about to emerge and swarm us. It’s only truly working for those who make pharmaceuticals for stress, sleeplessness and high blood pressure.
How do men feel whose whole lives (and many men's lives are) are lies, schemes, and subterfuges? What sort of company do they keep when they are alone? Daily in life I watch men whose every smile is an artifice, and every wink is an hypocrisy. Doth such a fellow where a mask in his own privacy, and to his own conscience?
Fellow workers and peasants, this is the socialist and democratic revolution of the working people, with the working people, and for the working people. And for this revolution of the working people, by the working people, and for the working people we are prepared to give our lives.
There's more of a family connection when you're working on a TV show. That's not to say that you don't make great connections when you're working on films, but it's different unless you're there working every day.
A flop is often the result of the fact that each of the talents involved, while working on the same project, may in effect have been working on a different show from all the others. If all contributors do not share the same vision of the evening, the end product will not evince the harmony of diverse elements-the seeming inevitability of book, score, and staging-of a good musical.
True generosity consists precisely in fighting to destroy the causes which nourish false charity. False charity constrains the fearful and subdued, the "rejects of life," to extend their trembling hands. True generosity lies in striving so that these hands--whether of individuals or entire peoples--need be extended less and less in supplication, so that more and more they become human hands which work and, working, transform the world.
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