A Quote by Ernest Thompson Seton
We were now back at Smith Landing, and fired with a desire to make another Buffalo expedition on which we should have ampler time and cover more than a mere corner of the range.
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I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
So, for me, I make no difference whether I'm training with my shuttle crew or the Expedition crew. Of course, I think I want to take more care of the Expedition crew, because they're going to stay there for a long time.
We were in the Arabian Desert for nine months. And I was having the time of my life. It could have been an archeological expedition, a military expedition.
I sometimes think we ought to bring a bill before Congress changing our national symbol from the eagle to the buffalo, because we are more like the buffalo than the eagle. The eagle is a powerful bird. It flies alone. It rises up into the sky with authority. It is master of all it surveys. The eagle is an individualist and was selected from among the rest of the birds to be our symbol. But the buffalo was never alone. It always ran in a herd with other buffaloes. And, friends, I call your attention that the buffaloes are gone from the open range, but the eagles are still soaring.
It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.
Only seven years ago we made a treaty by which we were assured that the buffalo country should be left to us forever. Now they threaten to take that from us also.
A good problem should be more than a mere exercise; it should be challenging and not too easily solved by the student, and it should require some "dreaming" time.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
Well, I was doing platinum albums back-to-back with Jive when they were the hottest hip-hop label. There was a time when Jive made a lot more money than Def Jam. They had KRS-One, Too $hort, E-40, Mystikal, UGK and Keith Murray. They had Will Smith when he was still the Fresh Prince.
We have a really aggressive travel schedule at 'Expedition Unknown.' We spend a lot of time out of the country and we spend most of the time that we are back either preparing for the next expedition or writing, editing and getting shows ready to air. It really is a year-round lifestyle.
I wanted to make a more Romanesque film that told a story over a long period of time - this one spans 45 years. I had a great desire to make another musical, but this time I wanted to be more ambitious.
Dutch beaches were known to me as man-made territories, as part of various land reclamation projects. But I was also interested in the media reality of the Moon landing. I wanted to use that event as a measure of time, to see what had happened in those thirty years - which happens to be my lifetime as well. I was born in 1967 and I remember seeing the Moon landing on TV when I was two. All those things were in play. Then it became a big production. It took five months to gather up the goodwill and make it happen.
You know, buffalo are significantly bigger than elk. I grew up near Yellowstone so I've been near buffalo. Buffalo are huge.
If the expedition had failed, which it might well have done with all hope centered in just one plane, I should still be trying to pay back my obligations.
Yes, there's more access to film than when I first came into the league, but because of it there's a desire to see more and study more and cover more.
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