A Quote by Ernesto Sabato
Was our life nothing more than a sequence of anonymous screams in a desert of indifferent stars?
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Poets say science takes away from the beauty of stars-mere globs of gas atoms. Nothing is "mere". I too see the stars on a desert night, and feel them. But do I see less or more? ...What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little more about it. For far more marvelous is the truth than any artists of the past imagined it.
In order to understand life it is not only necessary not to be indifferent to men, but not to be indifferent to flocks, to trees. One should be indifferent to nothing.
It is easier to accept the message of the stars than the message of the salt desert. The stars speak of man's insignificance in the long eternity of time; the desert speaks of his insignificance right now.
It is very hard to live with silence. The real silence is death and this is terrible. To approach this silence, it is necessary to journey to the desert. You do not go to the desert to find identity, but to loses it, to lose your personality, to be anonymous. You make yourself void. You become silence. You become more silent than the silence around you. And then something extraordinary happens: you hear silence speak.
Man screams from the depths of his soul; the whole era becomes a single, piercing shriek. Art also screams, into the deep darkness, screams for help, screams for the spirit. This is Expressionism.
The more we study mind and matter scientifically the more we see that all things follow a natural sequence, a sequence as liable to work for our disadvantage as for our advantage. It flows like the water of a river, it falls like rain, it is as impartial as the sea. It is as innocent of malice as it is of compassion.
I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its soltitude. I will be the desert.
Everyone just screams and screams and screams. I have accepted it as real now, but it still feels surreal.
I had known loneliness before, and emptiness upon the moor, but I had never been a NOTHING, a nothing floating on a nothing, known by nothing, lonelier and colder than the space between the stars. It was more frightening than being dead.
Poets say science takes away from the beauty of the stars - mere globs of gas atoms. I, too, can see the stars on a desert night, and feel them. But do I see less or more?
Some of the evil of my tale may have been inherent in our circumstances. For years we lived anyhow with one another in the naked desert, under the indifferent heaven.
If you can survive in the desert, you survive anywhere. I know more than anything life in desert. You can tell by looking at the dirt how long ago it rained, how hard it rained, how much water came through. You can by looking at a plant, a tree, from an animal's look. I can read the desert like I read my hand.
Is it possible to write a poem or are these words just screams of outlaws exiled to the desert?
Life is a test. It is only a test--meaning that's all it is. Nothing more, but nothing less. It is a test of our convictions and priorities, our faith and faithfulness, our patience and resilience, and in the end, our ultimate desires. It is a test to determine if we want to be part of the kingdom of God more than we want anything else.
But it is the nature of stars to cross, and never was Shakespeare more wrong than when he has Cassius note, ‘The fault, dear Brutus, is not in our stars / But in ourselves.
Of course I loved books more than people. Of course I valued "Jane Eyre" over the anonymous stranger...Of course all of Shakespeare was worth more than a human life.
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