A Quote by Ernie Banks

Did you hear that? I didn't hear anything. Put that question another way. — © Ernie Banks
Did you hear that? I didn't hear anything. Put that question another way.
Man, I'm 31 years old and a husband with four kids; I hope I'm no thug. I hear all those negative things and don't hear anything positive. I think that's all those people feel... that way that's all they hear about when you hear Allen Iverson did something negative or something.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
I'm the sort of person who doesn't hear the word 'no' - I hear 'find another way to get what you want.'
Fame is an empty noise. Let us put our ears to the centuries that have gone: we no longer hear anything; those who, at another time, shall walk among our urns, shall hear no more. The good - that is what we must pursue, whatever the price, preferring the title of a dead hero to that of a living coward.
It is raining and you can hear the pattern of the drops. You can hear it with your ears, or you can hear it out of that deep silence. If you hear it with complete silence of the mind, then the beauty of it is such that cannot be put into words or onto canvas, because that beauty is something beyond self-expression .
But the conceited man did not hear him. Conceited people never hear anything but praise.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
I never said nothing..." "I know you never! I could hear you not saying anything! You've got the loudest silences I ever did hear from anyone who wasn't dead!
I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.
I remember my uncle, who was a jazz pianist, when we did Deep Purple 'In Rock,' he ran from the room screaming, holding his ears: 'I can't hear anything. I can't hear any instruments.' And I was rubbing my hands going, 'Great.'
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
With all the hurts they've been through, they find a loving way and a way to put their mind on something greater. That's what makes a good artist, a good singer: because you can hear the hurt in their voice, and you can hear the love in their voice.
When superior people hear of the Way, they carry it out with diligence. When middling people hear of the Way, it sometimes seems to be there, sometimes not. When lesser people hear of the Way, they ridicule it greatly. If they didn't laugh at it, it wouldn't be the Way.
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