A Quote by Ernie Els

Contours on the second half of a long putt have more impact on how the ball rolls because it's going slower. Adjust your speed if that last part is playing uphill or downhill. Don't get fooled by an early slope or break.
We set out with nothing but music as our dream, but we didn't know where we were going, whether we were going uphill or downhill, or as we took a break after becoming tired, whether around the corner there was a paradise or a pitfall. That's how we started.
In the split second from the time the ball leaves the pitcher's hand until it reaches the plate you have to think about your stride, your hip action, your wrist action, determine how much, if any the ball is going to break and then decide whether to swing at it.
If I am playing 18 ball, I aim to see how I can get my strike rate to 150-160. After 6-14 overs, you need to break down, that if you play half balls, then how much runs you need to get on the board.
You're going to have more skilled and more talented big men and you're going to have guards who will similarly adjust by pulling up from half-court, like the Ball brothers at UCLA. It's really interesting the way the game is going to evolve.
Life is a slope. As long as you're going up you're always looking towards the top and you feel happy, but when you reach it, suddenly you can see the road going downhill and death at the end of it all. It's slow going up and quick going down.
You have half a second to make your mind up to know if you're going to shoot, pass, drive. Don't hold the ball too long, and make your decision quick.
I can't putt. The reasons are infinite. When lining up a putt, I can't remember if the ball always breaks to the ocean or to the valley or away from Pinnacle Peak. And because I took up the game in Minnesota, in what is often called Middle America, I also grew up asking, 'To which ocean does it break?'
I did a lot of lower league, and in lower league, you're not going to be playing out from the back; you're going to hit it long and try to get the second ball.
You can't imagine how much good luck is involved in winning, but all of a sudden, you get in a situation where every break goes your way, every call goes your way, every ball that rolls around drops in instead of out. It feels magical.
Look at the putt from behind the hole. Everyday players almost never do this. They should! Your eyes will take in more information about the slope. Sometimes you'll find that your initial read was incorrect.
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.
First and fore-most, you must have confidence. Your second mental problem is concentration. Think the shot through in advance before you address the ball. Draw a mental image of where you want it to go and then eliminate everything else from your mind, except how you are going to get the ball into that preferred spot.
But, if you miss (the supposedly easy pin) by just a little bit, you're looking at the next putt from 30 feet. The ball just rolls away.
Before you take your address, while you're still reading the putt, imagine the ball tracking on the line you've chosen and falling into the cup. If you don't believe you can make every putt, why bother trying?
That spin became so violent, it was hard to know how to get out of it. I was able to get it under control and break the speed of sound...I could feel myself break the speed of sound. I could feel the air building up and then I hit it.
To get the feel of how the slider should roll off of your index finger, use this grip and practice at half speed and roughly half the distance to the mound.
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