A Quote by Ernie Els
Because of the grass and open face, I take one more club for shots from the rough, unless the ball is sitting on top of dry grass. Then, I use more loft and swing softer, trying to hit it about 70 percent to avoid a flyer over the green.
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From the rough, I'd use a 6-iron, play the ball back an inch or two and swing down on a steeper angle to catch the ball first. It also helps to aim slightly left and open the clubface at address. You'll get more height on the shot, and the club will cut through the grass more easily.
Don't tell me about the world. Not today. It's springtime and they're knocking baseball around fields where the grass is damp and green in the morning and the kids are trying to hit the curve ball.
You can't swing with hesitation; you can't try to steer the ball to the flag; you can't worry about that water hazard as you take the club back. You have to pick the right club, visualize the shot you want to hit, and then focus on that shot until the ball is gone.
I never hit a shot, not even in practice, without having a very sharp, in-focus picture of it in my head. It's like a color movie. First I 'see' where I want it to finish, nice and white and sitting up high on the bright green grass. Then the scene quickly changes and I 'see' the ball going there: its path, trajectory, and shape, even its behavior on landing. Then there is this sort of fadeout, and the next scene shows me making the kind of swing that will turn the previous images to reality.
You have to just forget about the ball and swing the club. It's hard to see if you don't hit the green.
My game is suited to grass because I'm really aggressive on the court. I have a big serve, I'm quick, I hit the ball hard, and I go to net so I have everything a player needs to do well on grass.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
How to hit home runs: I swing as hard as I can, and I try to swing right through the ball... The harder you grip the bat, the more you can swing it through the ball, and the farther the ball will go. I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.
Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.
We can better see what we don't have. The other man's grass is always greener and now we can actually go and visit his grass much more and feel the absence of green in our own lives.
Grass is the forgiveness of nature-her constant benediction. Fields trampled with battle, saturated with blood, torn with the ruts of cannon, grow green again with grass and carnage is forgotten. Streets abandoned by traffic become grass-grown, like rural lanes and are obliterated. Forests decay, harvests perish, flowers vanish, but grass is immortal.
Green synthetic practice mats are the worst thing for your golf game that I know of. You can hit six inches behind the ball and not even know it, because the ball still gets airborne. Practice nets are awful, too. Swing a weighted club instead.
It's got to feel good off the face, it's got to look good from on top of the ball. And then, obviously, it's got to perform. But in those iron testings, obviously, I'm just trying to hit the best shots I can.
When you have the ball above the net height on grass, it's easier to play, and when the ball comes at you more slowly, it's easier to play. But when a guy hits hard and deep, I think you have to have been out there playing to understand, but it's hard to really hit the ball.
I love watching Anthony Kim play, but I'm not a fan of the way he grips down a good two inches on his full-swing shots. Choking down lightens the club's swing weight and effectively makes the shaft stiffer. It also makes it difficult to hit the ball high enough for all situations.
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