A Quote by Ernie Els
For the most part, when you play a full shot from the primary rough at your course, you're gauging how close to a standard shot you can hit based on your lie in the grass.
Related Quotes
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
If you're playing a shot and your peripheral vision picks up a player moving as you play the shot, if your vision goes from the object ball to what they're doing, you can miss the shot by several inches.
I enjoy that atmosphere, because you play golf all the time but you don't get to play in front of this many people and feel the energy of the crowd.You hit a bad shot, they boo; you hit a good shot, they cheer you. It's awesome. So I love it.
In order to hit a good golf shot at that moment in time when you're standing over the ball, you must believe that golf shot is the most important things in your life.
Sometimes the biggest problem is in your head. You've got to believe you can play a shot instead of wondering where your next bad shot is coming from.
There are a lot of players who fiddle around with their towel in your shot or they get up out of their chair to see if a ball's on when you're about to play your shot.
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
Control is the main thing, and the tee shot is the most important shot in golf. You've got to hit the fairway before you have a good chance of putting the ball close to the pin. You can be the greatest iron player in the world, but if you're in the boondocks it won't do you any good.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
It's an individual sport (golf), so it's the exact opposite of baseball. If you hit a bad shot, you can't say, 'Well, this happened.' It's just you. It's your shot. You can't point the finger at anybody but yourself.
If you hit a bad shot, just tell yourself it is great to be alive, relaxing and walking around on a beautiful golf course. The next shot will be better.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
Most folks here got rules 'bout trespassing. Warning shot's fired right close to the head. Get they's attention. Next shot gets a lot more personal. Now I'm too old to waste time firing a warning shot.
When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.
Related Authors
Arnold Palmer Quotes
American
Golfer
Ben Hogan Quotes
American
Golfer
Bobby Jones Quotes
American
Golfer
Dustin Johnson Quotes
American
Golfer
Gary Player Quotes
South African
Golfer
Jack Nicklaus Quotes
American
Golfer
Lee Trevino Quotes
American
Golfer
Phil Mickelson Quotes
American
Golfer
Rory McIlroy Quotes
Irish
Golfer
Sam Snead Quotes
American
Golfer
Sergio Garcia Quotes
Spanish
Golfer
Tiger Woods Quotes
American
Golfer
Tom Watson Quotes
American
Golfer
Walter Hagen Quotes
American
Golfer
Xander Schauffele Quotes
American
Golfer