A Quote by Ernie Harwell

I've been lucky to broadcast some great events and to broadcast the exploits of some great players. — © Ernie Harwell
I've been lucky to broadcast some great events and to broadcast the exploits of some great players.
The Broadcast Decency Enforcement Act of 2004 helps address the continuing degradation on the broadcast airwaves and helps send a clear message to the broadcast industry that Alabama families, like the rest of American families, have had enough.
I'm very thankful to the Krafts for giving me the opportunity to be their head coach. I've had some great times and been involved with some great players and great people.
Any good broadcast, not just an Olympic broadcast, should have texture to it. It should have information, should have some history, should have something that's offbeat, quirky, humorous, and where called for it, should have journalism, and judiciously it should also have commentary. That's my ideal.
I've cut my teeth as a coach with some great head coaches and some great co-workers and I have been very lucky to have learned a lot of football from all of the above.
My whole philosophy is to broadcast the way a fan would broadcast.
One thing that I can tell you that we have not done very well is to build in broadcast capability into the network, and we don't take advantage of broadcast radio.
It was not possible to broadcast any of that because of an agreement between Jackson and the family. Our legal advice was that we could not broadcast it.
It was not possible to broadcast any of that because of an agreement between Jackson and the family [of the child]. Our legal advice was that we could not broadcast it.
When I broadcast my first NFL game during the 1989 season, I had absolutely no idea what to study or how to study. NBC provided me with a handful of newspaper articles, we watched some film at the team facility on Friday before the game, and we interviewed some players and coaches.
There is no doubt that some in Iran have an unhealthy focus on Bahrain, as some of the broadcast coverage shows.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I've been lucky to have some great opportunities acting with some great people since leaving Corrie, I have certainly been kept busy since leaving the street!
I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
I've played with some great players and against some great players, and Sonny is special, he's so humble and I think that you underestimate that because of the work he puts in, then his quality, outstanding left foot, right foot.
I've been so lucky to work with some great, great writers: Tony Kushner and Yasmina Reza.
Great men, great events, great epochs, it has been said, grow as we recede from them; and the rate at which they grow in the estimation of men is in some sort a measure of their greatness.
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