A Quote by Ernie Pyle

The men are walking. They are fifty feet apart, for dispersal. Their walk is slow, for they are dead weary, as you can tell even when looking at them from behind. Every line and sag of their bodies speaks their inhuman exhaustion.
My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
Walk like you have three men walking behind you.
First impressions matter more in basketball than in any other sport, and they can be savored only in person. Players can't hide behind pads or helmets, so we can stare at them, evaluate every move they make: running, jumping, walking, even ogling the cheerleaders. We can see every ripple and tattoo. If they're lazy, we can tell.
Visiting the Holocaust Memorial Museum in Washington, D.C., for example, I was struck by its marginalization of any other victims apart from the Jews, to the extent that it presented photographs of dead bodies in camps such as Buchenwald or Dauchau as dead Jewish bodies, when in fact relatively few Jewish prisoners were held there.
The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.
The bottom line is I'm writing to save the dead. I'm writing to save the people I have lost, some of whose bodies are still walking around.
... men of power are seldom protected from their own infirmities by the men subordinate to them -- not even in the sad circumstances of mental exhaustion.
Are you the sort of person who can turn around when you have nothing left, and find that little bit extra inside you to keep going, or do you sag and wilt with exhaustion? It is a mental game, and it is hard to tell how people will react until they are squeezed.
My favorite place is whichever sidewalk is beneath my feet because I am just constantly fascinated by walking and looking and learning. If I've already walked a street five times, then the next five times I walk it looking up, and I learn something about the cornices.
Experiments at Seattle aquarium prove that octopuses can tell individual humans apart - even when the people are dressed identically - just by looking up at them through the water.
People around me die. They drop like flies. I've gone through life leaving a trail of dead bodies behind me. My mother is dead, my guardian is dead, my aunt is dead—because I killed her, and when my real father finds me, he'll move heaven and earth to make me dead.
Before I could do anything rash, a familiar voice behind me said, "Hello, Sadie." The other girls let out a collective gasp. My pulse quickened from "slow walk" to "fifty-meter-dash." I turned and found that-yes, indeed-the god Anubis had crashed our dance.
The two of them were stoic and stone-faced and ten feet apart, currently not even looking at each other, but Zuzana had the impression of a pair of magnets pretending not to be magnets. Which, you know, only works until it doesn't.
I'm gonna walk super, super slow to when I turn 40 or something. To me, walking and floating slow represents how wealthy you are!
This site uses cookies to ensure you get the best experience. More info...
Got it!