A Quote by Ernst Haas

All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most, I shot. — © Ernst Haas
All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most, I shot.
All I wanted was to connect my moods with those of Paris. Beauty paints and when it painted most, I shot.
The most fascinating women are those that can most enrich the every day moments of existence. In a particular and attaching sense, they are those that can partake our pleasures and our pains in the liveliest and most devoted manner. Beauty is little without this; with it she is triumphant.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
French Kiss - A Love Letter to Paris, is a tribute to many of the wonderful moments of romance, beauty, hope, and love that I have witnessed and been inspired by in Paris, my adopted home, over the past 40 years. I believe that photography is ultimately about sharing. I am excited to share, with the world, these moments of the heart that have touched my own, in this most beautiful city, Paris
The beauty of Toronto is that it has not been shot a lot in movies, for itself at least. I mean, most of the time, Toronto is shot to portray something else.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
Beauty has as many meanings as man has moods. Beauty is the symbol of symbols. Beauty reveals everything, because it expresses nothing. When it shows us itself, it shows us the whole fiery-coloured world.
Paris is one of the most beautiful places in all the world. Unfortunately, I was so homesick I couldn't appreciate its beauty.
Meeting up with Paris and Paris was such a highlight in Greece. Dancing at the clubs was a blast. There are just certain people you know you'll always have fun with, and Paris Hilton is definitely one of those people.
When we become aware that we do not have to escape our pains, but that we can mobilize them into a common search for life, those very pains are transformed from expressions of despair into signs of hope.
There are certain things we must not pray about - moods, for instance. Moods never go by praying, moods go by kicking.
I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living. My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.
A lot of time, my inspiration comes from pain: growing pains, hunger pains, or money pains.
I knew that they were going to be reading actors for Manute, and I wanted to give it a shot. I wanted a shot to do it, and they embraced that and said, "All right, come on in. Let's see what you've got." So, I went in, and the rest is history. It felt good when I went into the office, and it just worked.
Opinions are formed in a process of open discussion and public debate, and where no opportunity for the forming of opinions exists, there may be moods -moods of the masses and moods of individuals, the latter no less fickle and unreliable than the former -but no opinion.
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