A Quote by Ernst Haas

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right. — © Ernst Haas
My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.
If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.
Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.
There's a discipline. When you take someone's portrait, you don't have to take 50 photographs, just find that one so that when you release the shutter, that's the image that you took.
Anything that feels familiar and comfortable [is home]. It's wherever I feel safe and safest. Most of the time, that's just Barbados. It's warm, it's beautiful, it's the beach, it's my family, it's the food, it's the music. Everything feels familiar, feels right and feels safe. So, Barbados is home for me.
I started when I was nine. Really, everything I know about color theory, composition, drawing, and painting, I learned when I was a kid.
I think it laughable, frankly, that the physics community comes up with a theory for everything. There isn't one theory for everything. There is not one explanation. We may eventually have several theories that can tie things together nicely but there is not a single theory of everything.
As I get older, everything feels like it's fundamentally connected, and once you've accepted the idea that business is right, and the free market - though there's never really been one - is right, then everything else just follows naturally from there.
There are only two hard things in photography; which way to point the camera and when to release the shutter.
You have no right to go before a public without an adequate technique, just because you feel. Anything feels - a leaf feels, a storm feels - what right have you to do that? You have to have speech, and it's a cultivated speech.
In the first quarter of the nineteenth century the experimental proof for the interdependence of the composition and properties of chemical compounds resulted in the theory that they are mutually related, so that like composition governs like properties, and conversely.
What is especially striking and remarkable is that in fundamental physics, a beautiful or elegant theory is more likely to be right than a theory that is inelegant. A theory appears to be beautiful or elegant (or simple, if you prefer) when it can be expressed concisely in terms of mathematics we already have. Symmetry exhibits the simplicity. The Foundamental Law is such that the different skins of the onion resemble one another and therefore the math for one skin allows you to express beautifully and simply the phenomenon of the next skin.
I've always felt that my life's been at the right place at the right time; I feel like there's been some really dull moments, really high moments, really low moments, but it's always felt like everything's moved in the right direction; it always feels great, and everything feels right.
Simple honesty of purpose in a man goes a long way in life, if founded on a just estimate of himself and a steady obedience to the rule he knows and feels to be right.
I had two passions when I was a child. First was to learn about Einstein's theory and help to complete his dream of a unified theory of everything. That's my day job. I work in something called string theory. I'm one of the founders of the subject. We hope to complete Einstein's dream of a theory of everything.
God is utterly simple; for every composite being necessarily has a cause of its own composition, and so, since God is the first principle of all things, there can be no real composition whatever in God. Now, in an utterly simple being there can be nothing that is not that simple being itself. In God, therefore, whatever really is, is the same as God, is the same as that which is, is the same as that which subsists, and hence necessarily subsists.
There is a new venue for theory, necessarily impure, where it emerges in and as the very event of cultural translation. This is not the displacement of theory by historicism, nor a simple historicization of theory that exposes the contingent limits of its more generalizable claims.
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