A Quote by Erol Alkan
I love the idea that the person that signs you makes the record, because you get that sense of guidance, of being there at that close point.
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'Sticky' is about reaching a point in a relationship where you both realize you guys shouldn't be dating, but you're doing it anyway just because you like to have that sense of just being able to be honest with the person and comfortable with the person. You kind of ignore all of the signs and red flags because you really want to like the person.
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you.' If being in love only made people more lonely, why would everyone want it so much?' Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls and so on. You think you'll never be lonely again.
Hale, stop it.” Kat reached out and grabbed his arm. “You are many things, but stupid isn't one of them.” “I'm too close.” “You don't get it, do you? Being close is good. Caring is good. I love that you're emotional and passionate and can't turn these things off.” “It makes me a bad thief.” “It makes you a good person.
Barcelona is a beautiful city. I love the buildings and the architecture and always enjoy being close to that. It makes sense as an art person to work in places like that, it always feels nice and creative.
The idea was that the record itself ['The Bones Of What You Believe' ] is a kind of labour of love for us - all our energy and all our passion and all the stuff we believed in is in that record, so you're kind of handing that off to other people, if that makes sense.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I want to get a real sense of intimate connection with each of the animals - with that particular lion or elephant in front of me. I believe that being that close to the animal makes a huge difference in the photographers ability to reveal its personality. You wouldn't take a portrait of a human being from a hundred feet away and expect to capture their spirit; you'd move in close.
I still like the idea of having an intimate experience with a movie, but I love watching stuff on my iPad. It's close, and I feel like I'm a part of it, so maybe that makes more sense in some cases.
Most people prefer to think that their resentment is entirely the fault of the person they resent, and that twisted logic seems to make sense in their minds. But it makes no sense to me at all... But it's a popular point of view. Probably because it's so much easier. It relieves you of the burden of any and all self-examination. (Nathan to Nat)
Whatever happens, happens. I can't give you a prediction because Jim (Irsay) and I will sit down at some point and he'll get a feel for where I am and I’ll get a sense of what direction he wants to go. Right now, I have no idea.
Hollywood, they love everything, but they move like molasses. They'll option anything - the worst idea in the world will get optioned just because they want to keep the other person from getting that idea.
I had ballooned out to close to 400 pounds at one point. And in the '80s, we were just beginning to get on video and disco. So therefore, I did not fit in, and my record company let me go because they said, 'Look, you're just not marketable enough with the weight problem.'
I'm glad I got a record contract, because all of a sudden everything you were doing before that made you a stupid person now makes you a smart person.
Craziest thing I ever did for love? It's all crazy. None of it makes any sense, does it, when you're in love with someone. It doesn't make any logical sense. I guess that's why they call it being in love.
Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.
I love, because my love is not dependent on the object of love. My love is dependent on my state of being. So whether the other person changes, becomes different, friend turns into a foe, does not matter, because my love was never dependent on the other person. My love is my state of being. I simply love.
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