A Quote by Erol Alkan
One thing I always found hard to stomach over the past few years is that being a DJ or musician is a career opportunity.
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I think being a DJ is that thing of learning what makes a crowd move. As a DJ, you're constantly learning. It's like chess or something. After a couple of years, you think you're good, then you see a real DJ that's been doing it for 20 years and they just blow you away. I think that's one of the things I like about DJing: you can get better and better and better.
I personally see myself as a musician in the first place. You know, I don't want to say I will be a producer and DJ for the rest of my life. I can totally see myself being in another band in five years, if that's what my heart and soul wants to do, if that's what will make me happy. I'm totally happy to just not DJ anymore.
I really want people to know that I've worked hard, very hard, to get to where I am today.. this didn't just happen overnight. I started in business over 25 years ago and have found a way to build on what I've learned through every partnership and opportunity.
Over the past few years, many of us have increasingly begun to question the direction and meaning of our society as it has developed over the past several centuries.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
You had to be an over-the-top, demanding, dramatic figure in order to progress as a woman in Europe over the last few hundred years. Now people say, "You're being such a prima donna," meaning you're being hard to deal with or crazy. It's a bit sexist.
Over the past few years special interests have had a larger and larger say over who gets what in America, and the voices of average citizens are being shut out.
I've been allowed to grow over the past twenty years. I've managed to avoid being trapped in one moment of my career and for that, I'm very thankful
I've been allowed to grow over the past twenty years. I've managed to avoid being trapped in one moment of my career and for that, I'm very thankful.
I'm lucky to have had the opportunity to perform with bands that have influenced me as a musician over the years.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
I think hard work is definitely a huge thing, but there is something, if you want to call it luck or whatever - a window of opportunity - that is totally outside of your control, and it's that thing that will sometimes separate a good career from a great career.
When I signed in Ottawa two years ago, I felt it was to be an integral part of the team. Over the last two years and more recently over the past year, I feel my role was diminished. This past season, it diminished a lot more.
“I would like the opportunity to go somewhere where I can play to the best of my capabilities and be the player that I can be.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
Being in L.A., it was really hard to find a country writer and producer. I eventually - years of searching - found this guy, Dan Franklin. He's an incredible musician and producer. We write so well together... It's been a really cool experience.
In retrospect, I think that I've been given quite a few scripts over the years that had dark elements to them but most of them took place in the countryside with a haunted house. I think I've probably had that script about six to 10 times over the past few years. Or it was something to do with the supernatural.
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