A Quote by Errol Morris

I don't believe truth is conveyed by style and presentation. I don't think that if it was grainy and full of handheld material, it would be any more truthful. — © Errol Morris
I don't believe truth is conveyed by style and presentation. I don't think that if it was grainy and full of handheld material, it would be any more truthful.
You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.
In order to be truthful We must do more than speak the truth. We must also hear truth. We must also receive truth. We must also act upon truth. We must also search for truth. The difficult truth Within us and around us. We must devote ourselves to truth. Otherwise we are dishonest And our lives are mistaken. God grant us the strength and the courage To be truthful. Amen
Today we live in a world now where it is easy to confuse truth and popularity. And you can use money to amplify whatever you believe and get people to believe what is popular is now truthful. And what is not popular may not be truthful.
Some might call my style pro-black, but I think of the basis of all my material as truth.
I believe politicians should aim to be accurate and truthful in what they say at all times. You can be truthful and inaccurate but what you shouldn't be doing at any time is saying things that are untrue or making commitments that you have no intention of honouring.
We ultimately have to find truth in the material, and I think that transfers onto the screen. Obviously there's varying degrees of it, and we don't get it right all the time [laughs], but I think when it feels grounded, it's because we recognize the truth in the material.
I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.
A search for truth seems to me to be full of pitfalls. We all have different understandings of what truth is, and we'll each believe - or we are in danger of each believing - that our truth is the one and only absolute truth, which is why I say it's full of pitfalls.
In order to be truthful we must do more than speak the truth. We must also hear truth, receive truth, search for truth.
There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.
I think the novel is essentially a comic form (tragedy is for the theatre), not meaning by that full of jokes, but that it is about the absurd detail of human life, the way in which one cannot fully understand what is happening. Life is muddle and jumble and ends inconclusively, and when this is presented with great comic art the sorrows of human life can be truthfully conveyed; one is moved by the spectacle, and feels that something truthful has been told in a magic way.
Sometimes, I have to really monitor myself, but the only monitoring job I really do on myself on stage is, Is this truthful? Is this truthful? Is this truthful? Ideally, I send it in a flow of truth.
Always carry with you into the pulpit a sense of the immense consequences which may depend on your full and faithful presentation of the truth.
With the style of music that I do, I don't think it's at the top of their agenda to push me into doing any compromising material.
What can we writers learn from lizards, lift from birds? In quickness is truth. The faster you blurt, the more swiftly you write, the more honest you are. In hesitation is thought. In delay comes the effort for a style, instead of leaping upon truth which is the only style worth deadfalling or tiger-trapping.
The world is not full of betrayers, it is full of people with decent motives and a full desire to do right by those who know them and love them. This is a little-known truth, but I think it is a truth nonetheless. Empirically, from all the years of my work, I would attest to that. I know it is a miraculous conclusion, but there it is. We like to make strangers of everyone. We are not wolves, but lambs astonished in the margins of the fields by sunlight and summer.
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