A Quote by Errollyn Wallen

There's a thrill in the midst of the hardship in knowing that I'm making the invisible real. And I'm doing what I want. — © Errollyn Wallen
There's a thrill in the midst of the hardship in knowing that I'm making the invisible real. And I'm doing what I want.
Jesus is apt to come, into the very midst of life at its most real and inescapable moments. Not in a blaze of unearthly light, not in the midst of a sermon, not in the throes of some kind of religious daydream, but...at supper time, or walking along a road...He never approached from on high, but always in the midst, in the midst of people, in the midst of real life and the questions that real life asks.
Hope is not defined by the absence of hardship. Rather, hope is found in God’s grace in the midst of hardship. Hope is found in his promise to give us a future.
The thrill of acting is making a character real. Modeling is the opposite of real. It's being fake in front of the camera.
For me, some of the key points of drag are knowing who you are, how you want to go about making people happy with your art, and why you're doing what you're doing.
Independence is doing what you want to do, knowing that you're happy with the decisions you're making and that it's the best for you.
Everything I did growing up was with that as the real goal - doing Broadway; doing theatre. That was always the big thrill for me.
In the midst of hardship, it was the music that restored my soul.
Knowing my husband they way I do, this is what he lives for - real competition. And I don't think he was ever satisfied when he was with the WWE. He just loves the thrill of competition.
I prefer to think of film making - you know, um, the sweat is supposed to be invisible. But a lot of sweat can go into making a film. But of course, if you enjoy doing it, you enjoy doing it.
We live in the midst of invisible forces whose effects alone we perceive. We move among invisible forms whose actions we very often do not perceive at all, though we may be profoundly affected by them.
German readers are much like Brits or Americans: They read for the thrill of it, the occasional shudder down the spine, knowing it's not real - but looking over their shoulders anyway, just in case.
The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
I want to be compensated. If I'm working at the post office, and I'm sorting the same mail as the person to the right, and they're making $25 an hour and I'm making $21, I need to know what is this person doing so much better that he's getting $4 more than me. That's just knowing the market and being a smart businessman.
Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.
I want my movies to be commercial, fun thrill rides but I also want them to have substance to them. The fun part is knowing how to roll up your sleeves and get it done.
I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.
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