A Quote by Erwin Griswold

The privilege against self-incrimination is one of the great landmarks in man's struggle to make himself civilized... The Fifth is a lone sure rock in time of storm ... a symbol of the ultimate moral sense of the community, upholding the best in us.
The Fifth Amendment is an old friend and a good friend, one of the great landmarks in men's struggle to be free of tyranny, to be decent and civilized.
Officers are taught to use all the tricks and lies that courts permit within the scope of the Fifth Amendment's shield against self-incrimination.
The 5th Amendment is an old friend and a good friend. one of the great landmarks in men's struggle to be free of tyranny, to be decent and civilized.
The ordinary man puts up a struggle against all that is not himself, whereas it is against himself, in a limited but all-essential field, that the artist has to battle.
I hated prog rock; to me, it was the ultimate expression of a bloated sense of self-importance and mindless self-indulgence.
The only struggle which religions can justify, the only struggle worthy of humans, is the moral struggle against humanity's own disordered passions, against every kind of selfishness, against attempts to oppress others, against every type of hatred and violence.
Human rights' are a fine thing, but how can we make ourselves sure that our rights do not expand at the expense of the rights of others. A society with unlimited rights is incapable of standing to adversity. If we do not wish to be ruled by a coercive authority, then each of us must rein himself in...A stable society is achieved not by balancing opposing forces but by conscious self-limitation: by the principle that we are always duty-bound to defer to the sense of moral justice.
As a result, the highly civilized man can endure incomparably more than the savage, whether of moral or physical strain. Being better able to control himself under all circumstances, he has a great advantage over the savage.
He who receives a great many letters demanding answer, sees himself as if engaged in a hopeless struggle of one man against the rest of the world.
We are on strike against martyrdom—and against the moral code that demands it. We are on strike against those who believe that one man must exist for the sake of another. We are on strike against the morality of cannibals, be it practiced in body or in spirit. We will not deal with men on any terms but ours—and our terms are a moral code which holds that man is an end in himself and not the means to any end of others.
Golf is not a wrestle with Bogey; it is not a struggle with your mortal foe; it is a physiological, psychological and moral fight with your self; it is a test of mastery over self; and the ultimate and irreducible element of the game is to determine which of the players is the more worthy combatant.
Jesus did not die on the cross just so we could live comfortable, well adjusted lives. His purpose is far deeper: He wants to make us like himself before he takes us to heaven. This is our greatest privilege, our immediate responsibility, and our ultimate destiny.
We all know we're conditioned from music and television, so for us, we take great privilege in being role models, and having an impressionable audience its important for us to make sure what we're doing is in line with them.
So I submit to you that what we represent is a Fifth Column, a Fifth Column that represents the best aspirations that human community is capable of, a Fifth Column that is willing to look at the structure of the psyche in contrast to the mess of society, and willing to dream.
Our freedom to doubt was born out of a struggle against authority in the early days of science. It was a very deep and strong struggle: permit us to question - to doubt - to not be sure. I think that it is important that we do not forget this struggle and thus perhaps lose what we have gained.
The protagonist of Fourteen Stories, None of Them Are Yours doesn’t make it easy for us, channeling as he does Barry Hannah and Denis Johnson by way of Rick Bass and Dennis Hopper, and self-presenting as yet another damaged romantic who thinks it’s always time to play the cowboy, skating in and out of sense. He can’t see right, and he’s haunted by nearly everything. He’s trying to open up or shut himself down or at least get a hold of himself. He’s trying to make do with what he’s done, while he reminds us that we’re all, one way or another, in that position.
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