A Quote by Erwin Rommel

The art of concentrating strength at one point, forcing a breakthrough, rolling up and securing the flanks on either side, and then penetrating like lightning deep into his rear, before the enemy has time to react.
The fact, however, to which I want to call attention is that the master of Judo never relies upon his own strength. He scarcely uses his own strength in the greatest emergency. Then what does he use? Simply the strength of his antagonist. The force of the enemy is the only means by which that enemy is overcome.
When there are no avenues of escape or one is caught even before any attempt to escape can be made, then for the first time the use of self-defense techniques should be considered. Even at times like these, do not show any intention of attacking, but first let the attacker become careless. At that time attack him concentrating one's whole strength in one blow to a vital point and in the moment of surprise, escape and seek shelter and help.
Art is a way of penetrating and going deep into our unconscious and creating amazing worlds - as the Greeks did, if you like, as did Ovid with his stories and his fantasies.
According to true military art, one should never push one's enemy to the point of despair, because such a state multiplies his strength and increases his courage which had already been crushed and failing, and because there is no better remedy for the health of beaten and overwhelmed men than the absence of all hope.
Let the church come to God in the strength of a perfect weakness, in the power of a felt helplessness and a child-like confidence, and then, either she has no strength, and has no right to be, or she has a strength that is infinite. Then and thus, will she stretch out the rod over the seas of difficulty that lie before her, and the waters shall divide, and she shall pass through, and sing the song of deliverance.
I'd like to write about whatever is going on with me at that point of time or situations I'm - which I'm sure a lot of people can relate with. I mean, I'm a deep person. I'd like to dig deep into the psyche, but at the same time, you make things that are gonna lift everyone up.
The penetrating brilliance of swords, wielded by followers of the Way, strikes at the evil enemy, lurking deep within, their own souls and bodies.
By altering his arrangements and changing his plans, the skillful general keeps the enemy without definite knowledge. By shifting his camp and taking circuitous routes, he prevents the enemy from anticipating his purpose. At the critical moment, the leader of an army acts like one who has climbed up a height and then kicks away the ladder behind him.
Are you reading your Bible?" Ah, well...I was." And then you quit." You got it." Then, you can expect to be weak on one of your flanks, and that's precisely where the Enemy will come after you with a vengeance.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
We're in a declared war, but unless were clear about who the enemy is, we'll waste our time fighting enemies that aren't enemies at all. There's only one enemy and no matter what people do, say or react people are never the enemy. The enemy is our only enemy.
Presumably, as a Martial artist, I do not fight for gain or loss, am not concerned with strength or weakness, and neither advance a step nor retreat a step. The enemy does not see me. I do not see the enemy. Penetrating to a place where heaven and earth have not yet divided, where yin and yang have not yet arrived, I quickly and necessarily gain effect.
I use 'wicked' all the time! It's part of my slang! When something's really rad, I'm like, 'That's wicked.' It has many meanings but worldwide, it seems like young people think it alludes to being either the naughtier side of you, or the trendier, cool side of you. I like it either way.
The art of invective resembles the art of boxing. Very few fights are won with the straight left. It is too obvious, and it can betoo easily countered. The best punches, like the best pieces of invective in this style, are either short-arm jabs, unexpectedly rapid and deadly; or else one-two blows, where you prepare your opponent with the first hit, and then, as his face comes forward, connect with your other fist: one, two. Both are effective; but they can be administered only by a real artist, with a real wish to knock his enemy out.
One very important aspect of art is that it makes people aware of what they know and don’t know they know... Once the breakthrough is made, there is a permanent expansion of awareness. But there is always a reaction of rage, of outrage, at the first breakthrough... So the artist, then, expands awareness. And once the breakthrough is made, this becomes part of the general awareness.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
This site uses cookies to ensure you get the best experience. More info...
Got it!