A Quote by Erykah Badu

I love watching Rihanna in fashion. I like to see her take chances and risks. I like seeing Naomi Campbell in the forefront. They're both women who stand out and use their bodies as canvases to introduce this functional art to the world. They carry it in a way that is very inspiring.
I like Solange, old pictures of Naomi Campbell, Grace Jones. I love Rihanna.
I am a huge fan of the supermodels from the '80s and '90s, like Naomi Campbell and Cindy Crawford. My ultimate favorite is Daniela Pestova. She is the epitome of a strong, healthy, sexy woman. I like working out and being fit, so I look up to women like her.
If I was a woman in Russia, I would be a lesbian, as the men are very ugly. There are a few handsome ones, like Naomi Campbell's boyfriend, but there you see the most beautiful women and the most horrible men.
I don't like how women's bodies are Page 3 news. I just don't think that's big news. Women's bodies are women's bodies, and that's that. And I love to see beautiful - the female form in great art and great photography.
The fact is that everyone at the labels wants to do what everyone else is doing. You have to look like her; you have to be like her; you have to sing like her, and no one can express themselves. I look at Rihanna and I am so proud of her. She speaks loudly! You have to stand up and clap. She expresses herself through fashion. She actually can sing. And her songs mean something, even to me, you know?
Women today are bombarded with so many messages, like we should have Naomi Campbell's body and Madeleine Albright's career.
I like how powerful fashion makes me feel. I live for that grungy-prissy juxtaposition that Kate Moss, Naomi Campbell, and Drew Barrymore wore in the '90s.
The trouble is that the risks that are being hedged very well by new financial securities are financial risks. And it appears to me that the real things you want to hedge are real risks, for example, risks in innovation. The fact is that you'd like companies to be able to take bigger chances. Presumably one obstacle to successful R&D, particularly when the costs are large, are the risks involved.
Lady Gaga, Beyonce, Rihanna, all of these artists that we do love - you see so much of what we do, the personas, makeup, hair, fashion - like, all of is now incorporated in pop culture, and a lot of it has to do with drag, because we over-exaggerate everything, right? We take it out to the next level.
I don't like women who follow fashion in the sense of becoming victims of it. I like women who have elegance, who have allure, who use fashion, rather than the other way around.
Margaret Cho is definitely one of the people, like just watching or hearing her stand up back in the days when stand-up albums were pretty prolific. Seeing her in Carnegie Hall was pretty revolutionary for me to be like, 'Oh, this Asian person talking about her sexuality.'
I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
We get all excited about collaborations. You get excited to hear that Rihanna has something, because Rihanna is a singer, and she has amazing fashion. You want to see what she would create. I don't get upset and think, 'Someone else is going to do better than me.' You're like, 'Oh, good for her.'
What women have to stand on squarely is not their ability to see the world in the way men see it, but the importance and validity of their seeing it in some other way.
What women have to stand on squarely [is] not their ability to see the world in the way men see it, but the importance and validity of their seeing it in some other way.
I love Karrueche very much but I don't want to see her hurt over my friendship with Rihanna, i'd rather be single allowing us to both be happy in our lives.
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