A Quote by Erykah Badu

I feel like I haven't done anything. What have I done? I've just made a few records. — © Erykah Badu
I feel like I haven't done anything. What have I done? I've just made a few records.
I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people.
I have a hatred of familiarity. If I feel like I am doing something I've done before, it feels old and done. I feel I have no choice but to strike out in directions that feel new - anything less just doesn't seem worth it.
I'm a precrastinator. Yes, that's an actual term. You know that panic you feel a few hours before a big deadline when you haven't done anything yet? I just feel that a few months ahead of time.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
Vanilla Ice sold ten million records. For him to be on MTV, it made me feel like it could be done.
That's my goal, to feel like I've done the best I could. When I've done that, anything else that happens is a bonus.
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
You can't take yourself too seriously. Like, yeah, I'm doin' all that, but still I don't feel like I've done anything, really. I feel blessed 'cause I'm doin' all these things, but I'm not satisfied. I still have that feeling like, "Who am I? Who am I to have an ego? Who am I to change up and act like some Hollywood character?" Technically, in the grand scheme of things, I haven't done anything.
When I look at my life now and all the mistakes I've made, all the bad decisions I've made, all the things I could have done differently or done more in, I don't think I would have changed anything.
I feel so blessed to just have done what I had done. To be able to just use what God has given me is a blessing. You know, never mind the Grammys, never mind the records, never mind all of that. Just to be able to sing.
I moved out to L.A. in July and Hot L Baltimore started in September or October. So I had done a few things. I'd done a Mary [Tyler Moore]. I'd done a Waltons. I hadn't done a Rhoda yet I don't think.
I feel like fans really want to spread the word about the band. I guess when you've done three records, you feel that you really start to appreciate it. We're looking at it all and it's just like, wow. You appreciate it differently when you work hard for it.
A lot of people say, "Oh, I get this high from working out." I've never felt that, maybe because I've worked out for so long it's just a norm for me to push super, super hard. I don't feel the euphoria. But at the end, when it's all done, I feel euphoric. I'm like, "Yes, the work is done." You just feel like a glowing feeling inside.
I've done a few face palms after things I've said because it's stupid. But if I'm not like that, I won't feel human anymore. I'll just feel like some robot saying what I'm supposed to say. I think that's when people lose it.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
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