Whereas I want everything to be peaceful during a birth, I take the total opposite approach when I'm helping someone come to terms with leaving this place - I play Richard Pryor records.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
There's only going be one Richard Pryor. You know how many came out after Richard Pryor and died trying to be compared to him? Or Bernie Mac? You got to be like you.
Richard Pryor was my hero. Richard Pryor was keeping it 100.
Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.
I was on the school bus telling Richard Pryor jokes. I was sneaking, listening to Richard Pryor albums and would go to school the next day, tell all the jokes, and get in trouble because I was cursing.
It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.
There are many styles of standup, but the comedians I like are people like Dick Gregory and Richard Pryor. Because Richard Pryor told the truth. Chris Rock. I love Chris Rock. He's funny, but he's also poignant. He's not there just to make people laugh; he's there to make people wake up, too.
As it stands right now, I lead Richard Pryor in heart attacks, two to one. However, Richard still leads me, one to nothing, in burning yourself up.
I don't want any of my records to sound like one style throughout. That's why I choose different grooves and songs: tunes that are sensitive and slow as well as pieces that are abstract and fast. The approach I want to take with my records is to give the listener a variety of grooves, concepts, and composers.
There's something different about an indie film than a TV show that has a huge infrastructure that's in place already for you - at least financially and in terms of distribution. Whereas an indie film is just a total dare.
You look at Richard Pryor and Robert Klein and George Carlin and Richard Lewis - those guys were so smart, they were the thinking-man stand-ups.
Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
I believe the approach we take to talking to our kids about drugs can, in some cases, mean the difference between life and death. So my approach is really simple: I just don't want them to die. And I want them to be able to save someone's life if they see someone die.
At the end of the day, I want to be part of the same conversation as Chris Rock, Eddie Murphy, Dave Chappelle, Bill Cosby and Richard Pryor.
If I can make you laugh and learn, I want to be like George Carlin and Richard Pryor and Eddie Murphy and Sam Kinison and Chris Rock and Dave Chappelle. I want to be of that ilk, I don't want to just make you laugh, I want to make you think.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.