A Quote by Erykah Badu

I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.
I think we [with Riccardo Tisci] share a sensibility about art - we pull from the ancient future.
We wanted to bring attention to the fact that we had so many deals taking place that we could have made change for the better for all people, and we felt that we would be a catalyst to bring this to attention to society.
I didn't mind being in a school with a small African-American population. The African-American-community was very tight, and that was great. But I also wanted to interact with other types of folks.
I only became an actor to get your attention, to challenge the archetype of an African American male; I can't be anything else in this lifetime than an African American man.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
And you know, we have an African-American president, and you would have thought that he would have done a much better job for African-American citizens of this country. And he hasn't. And I will because I'm going to bring back jobs from China. I'm going to bring back jobs from Mexico and so many other places that are just ripping this country apart.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.
I wanted to show that an African-American artist could make it in this country on a national level in the graphic arts. I want to be a strong role model for my family and for other African Americans.
If a CEO takes an interest in you and he happens to be an Asian man, then that's great, but as an African-American woman, you want to make sure that if the executive vice-president of the company is an African-American woman that you get to know her.
A lot of actors on film sets... very often they're not paying attention to the physical world around them. I think through studying art, I've always had that awareness and that's something that I've wanted to bring in to go beyond acting... As a form of expression, they are intrinsically linked.
I thought it was cool how [ Riccardo Tisci] wanted to blend Africa and Asia because they relate to each other in so many different ways.
I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.
This is a great nation at terrible risk in a dangerous world, and she has fully exposed this nation and will continue to do so because of her utter incompetence and Hillary Clinton lack of care, lack of attention, lack of concern.
One of the reasons that the African American actors wanted to be a part of the show was because these people are talking to each other the way that African American people talk to each other, and they said that they didn't see that on TV.
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
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