A Quote by Erykah Badu
I thought it was cool how [ Riccardo Tisci] wanted to blend Africa and Asia because they relate to each other in so many different ways.
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I sort of wanted to reveal this other side of Asia: Southeast Asia, where the Chinese have been wealthy for generations and have different ways of relating to money. I wanted to sort of reveal this world to readers.
I solidify his [ Riccardo Tisci] vision and what he is trying to manifest, make it a crystal or solid thing because of the relationship I have with my culture and what my music means to him.
I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.
I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.
So, the combination of looking at lots of different people and how they react to each other and how they relate to each other and waiting for that inspiration is the thing that allows me to keep writing.
I think we [with Riccardo Tisci] share a sensibility about art - we pull from the ancient future.
How terrifically dynamic is our time! We can mobilize all the spiritual, all the moral, all the political strength of Africa and Asia on the side of peace. Yes, we! We, the people of Asia and Africa!
The thing I like the best, especially being a parent of so many kids, Is that they're all so different. You love them all equally, but they're all so different from each other and that's the cool thing, to see their personalities start to develop and see how unique and different they all are and to be able to love them in their own unique ways. It's really, really, really special.
I have a Pinterest, and if you look there you'll see the things I really like and adore, have crushes on, and there's a lot of stuff from Riccardo's [Tisci] line on there.
[Riccardo Tisci ] has an interesting approach to weaving the contemporary with the couture, and blending tribes and collections. It always seems to work.
I discovered the slip dress, which I think is one of the more French things because when you take off your clothes, even when to go into a shop to buy something, or you're going to Riccardo Tisci to try on a suit, it's like having protection.
If anybody knows how to be friends, it's black women. We have been enslaved and had to care for each other and each other's babies and pick each other up in so many powerful ways. We know to take care of each other, we know how to be friends.
I love Karl Lagerfield. Riccardo Tisci - I love his work.
If you were dealing with the accumulated repressions of only one lifetime, it would be different. But these are the repressions of numerous lives. Nobody knows how many times you have been born, and how many societies have crushed you. And each time a different society, and all these societies destroying you in different ways... this is why you carry so many inner contradictions.
I love costume jewelry, the stuff Givenchy/Riccardo Tisci do, and old school rock n' roll jewelry, too.
There are so many different kinds of people in America, with so many different boiling points, that we don't know how to fight with each other. The set piece that shapes and contains quarrels in homogeneous countries does not exist here. The Frenchman is an expert on the precise gradations of espèce de and the Italian knows exactly when to introduce the subject of his other's grave, but no American can be sure how or when another will react, so we zap each other with friendliness to neutralize potentially dangerous situations.
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