A Quote by Erykah Badu

What draws me to a project is how sympathetic I am toward it, so that I can relax into it and give up myself. — © Erykah Badu
What draws me to a project is how sympathetic I am toward it, so that I can relax into it and give up myself.
Conviction of sin draws me away from myself and toward GodSelf-condemnation, on the other hand, draws me down into myself and away from God.
I'm not the kind of actor that gets crazy with [directors'] names, what draws me toward a project is the material itself.
I liked school, but I used to dread those moments when the teacher would call me up to give an oral report. I forced myself to deal with it and not dwell on the class in front of me - to keep a straight face, give the report and concentrate on getting it right. That's normally how I perform. That's how I am.
I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldnt give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me.
I gave up myself, but myself did not give up me; and so, I am still myself!
I was brought up to be sympathetic toward others.
In a sense I am able to interrogate myself, address myself from that slight distance and enter a kind of dialogical relationship with myself. Because I'm saying, "Look, these are things that have happened to me, but how odd they are or how ordinary they are [is up to the reader to decide]."
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
If I am not excited about a project, then how do I expect my audience to watch my film? Give me good roles, and I will be working round the clock.
Am I willing to give up what I have in order to be what I am not yet? Am I willing to let my ideas of myself, of man be changed? Am I able to follow the spirit of love into the desert? To empty myself even of my concept of emptiness?
Now I wonder whether I have sufficiently realized that during all this time God has been trying to find me, to know me, and to love me. The question is not 'How am I to find God?' but 'How am I to let myself be found by him?' The question is not 'How am I to love God?' but 'How am I to let myself be loved by God?'
I have realised I have been cheating myself and it is me who pays for it. So I am going to give myself the best opportunity to give my all. It's me who walks in my shoes.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I am strong, the crowd makes me even stronger when they are on fire, I love to be with them, they give me focus so I just relax and play.
I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.
I'm my own toughest opponent. So I talk to myself. I curse at myself. I pump myself up. Whatever it takes to do. I don't really give a damn how it looks really because when I'm in the moment I need to be me.
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