A Quote by Erykah Badu

I'm a performance artist first; I'm a recording artist second. — © Erykah Badu
I'm a performance artist first; I'm a recording artist second.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
As an artist your first loyalty is to your art. Unless this is the case, you're going to be a second-rate artist.
I hate that when you introduce yourself, and you're a rapper, sometimes you gotta say, 'I'm a musician.' Or, 'I'm an artist.' 'I'm a recording artist.' 'I'm a vocalist.'
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I think that it's much easier for a recording artist to become an actor than for an actor to become a recording artist.
Being an artist doesn't mean that you're a good artist. That was the bargain I first made with myself: I'd say, I'm an artist, but I'm not really very good.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
Just because I'm a recording artist doesn't mean I'm not an artist. Because I had to grow.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I have always thought of myself as a performer first and way down the line as a recording artist.
I spend most of my time at concerts hoping for that one second that the artist looks at me, I look at the artist, and that's when I get to say, 'Thank you.'
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
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