A Quote by Esa-Pekka Salonen

Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. They say, Show us what you can do. — © Esa-Pekka Salonen
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. They say, Show us what you can do.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.
I don't mind staying in one place for a while - I like to spend a lot of time in Los Angeles. It's a place where nobody goes out, where people will leave you alone. People in Los Angeles love themselves and they love what they do and they leave you alone. If you're isolated, you have a real advantage. You can work.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
I live in Los Angeles, which is the youngest place - there's no history to Los Angeles. Everything's fake.
Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!
The Olympics have been an amazing part of Los Angeles' history. In many ways in 1932, they put us on the map when people didn't even know where Los Angeles was. In 1984, they were the first profitable Olympics of the modern era.
Los Angeles was a place after my own heart. The people were hospitable. The country had the same attraction for me that it had for the Indians who originally chose this spot as their place to live. The Los Angeles River was a beautiful, limpid little stream, with willows on its banks. It was so attractive to me that it at once became something about which my whole scheme of life was woven, I loved it so much.
I recall asking the late eminent liberal historian Arthur Schlesinger, in a public forum in Los Angeles in the late 1970s, if he would say that America was, all things considered, a better, i.e., more moral, society than Soviet society. He said he would not.
Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.
Especially growing up in Los Angeles, there's just a very different mind-set than my own. There's no 'Romeo and Juliet' in Los Angeles. There's 'Laguna Beach.'
I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
Chicago is seriously my favorite city in the country. People have roots here, which is nice. When you go to Los Angeles, no one is actually from Los Angeles.
In a way, it's a great thing that I have the opportunity to stand at the crossroads of Los Angeles and Indianapolis, and stay right here, ... People say that reality is in the footsteps, and not the words. That, as much as anybody, gives you a chance to show your sincerity and commitment, and what you're all about as far as leaving a legacy.
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