A Quote by Esa-Pekka Salonen
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
Never think that you're not good enough yourself. A man should never think that. People will take you very much at your own reckoning.
I think average players are able to play well now and again, or they'll play very, very well. Good players or great players, nine times out of ten, they have good games.
I'm very happyWhen you start a career you never think about the Hall of Fame ... watching a guy like Walter Payton, he would say 'Don't do what I say, do what I do.' If you can do your thing the way he does his, the possibility is you will get in the Hall of Fame.
I think that's my favorite thing about making scary movies, watching people watch them. When my films come out, I like to cinema hop and know what moments are coming up, I pop my head in and watch people squirm or slide down in their seats. I like that sadism!
I have been very fortunate to see some very clearly excellent players play well to the very ends of their career, where they opted not to play anymore. I'm talking about Adrian Beltre. I'm talking about Torii Hunter. I'm talking about David Ortiz, Chipper Jones, Derek Jeter. These are players who decided, 'You know, I've had enough. That's good.'
Scaring someone's the hardest thing to do, and that's why most of scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
Scaring someone's the hardest thing to do, and that's why most of these scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
There are so many noises and pulls and competing demands in our lives that many of us never find out who we are. Learn to be quiet enough to hear the sound of the genuine within yourself so that you can hear it in other people.
They use the word 'integrity' in describing a Hall of Famer in the logo of the Hall of Fame, and I think there are gonna be quite a few players that are not going to get in.
Scary movies depend on sound a lot to scare people. When I look around and see people are jumping in their seats, I think: Why? Why? Nothing happened!
You don't project yourself in the Hall of Fame as a player. It's only during that five-year period where people start asking about it, and it doesn't seem real until it happens.
Ninety percent of my roles, I've had to fight for. It's only a really small percentage of people who get handed roles. But that can be quite scary. The good thing about auditioning is that you get to test yourself and see if you can play this character - you're also auditioning yourself. I enjoy seeing what the chemistry is between the people you might be working with.
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