A Quote by Esa-Pekka Salonen
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad.
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I've worked with some very good directors and some very bad ones. I learned a great deal from both. From the bad, untalented people, you learn what not to do. And when you work with very highly talented people, you want to emulate them.
I don't get angry very often, but there have been times when I have been frustrated with myself, maybe after playing a bad shot, after getting out, I have done some damage to some equipment of mine. Once or twice in the course of 20 years - I think you can allow me that at least.
There have been some bad times, some very low points in my life. Doing 'Celebrity Big Brother' was certainly one of them. When I came out my phone didn't ring for a very long time.
At uni I met a lot of people I had nothing in common with. Some were very clever, some very rich, some very sporty. Some of them became my best friends, but not at first. Having things in common isn't always the best start to a friendship. I'd stick with it! Also, try to chat to people when they're on their own. So many people feel they need to perform in big groups.
Yes, alas, I've been on some recording sessions where the music wasn't good. Not so many, really, considering how many I've done. It's a very awkward situation because to do a recording well you focus on the positive of what will make the piece better.
I've never been a Clinton fan. He's had some accomplishments, and he's very skilled at politics, but, you know, he's had some successes and a very good economy. And the question is how much or how little of that does he deserve credit for.
I'm very proud of all the movies I made. I am very happy with everything I've done. I like to watch my movies. Some of them work. Some of them don't. Some of them people like, most of them they don't.
Some of my fellow academics are very hostile, but I sympathize with them. They've been asleep for 500 years and they don't like anybody who comes along and stirs them up.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
No matter what we have come through, or how many perils we have safely passed, or how many imperfect and jagged - in some places perhaps irreparably - our life has been, we cannot in our heart of hearts imagine how it could have been different. As we look back on it, it slips in behind us in orderly array, and, with all its mistakes, acquires a sort of eternal fitness, and even, at times, of poetic glamour.
I've been on some very good horses which have died, and that's very tough to take. But as much as we love the horses, and care for them, human life is obviously more important. Some good friends of mine have died or been paralysed while doing a job we all love.
PGA of America has been very good to me; played some of the Junior Ryder Cups, and those go down as some of the best experiences I've had on a golf course.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
Inequality is not so much a cause of economic, political, and social processes as a consequence. Some of these processes are good, some are bad, and some are very bad indeed.
Some people are attracted to vulnerability. From my very first album, I've been vulnerable. I've always given parts of me, parts of my life - good, bad, ugly. I've never put up this image as a super-thug. Also, some people just like the music.
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