A Quote by Esa-Pekka Salonen

After working with Ligeti I began to hear Brahms and Beethoven differently. — © Esa-Pekka Salonen
After working with Ligeti I began to hear Brahms and Beethoven differently.
...stories about [the German composer Johannes] Brahms's rudeness and wit amused me in particular. For instance, I loved the one about how a great wine connoisseur invited the composer to dinner. 'This is the Brahms of my cellar,' he said to his guests, producing a dust-covered bottle and pouring some into the master's glass. Brahms looked first at the color of the wine, then sniffed its bouquet, finally took a sip, and put the glass down without saying a word. 'Don't you like it?' asked the host. 'Hmm,' Brahms muttered. 'Better bring your Beethoven!'
The three greatest composers are Bach, Beethoven, and Brahms. All the others are cretins.
Even if you're playing Brahms or a Beethoven concerto, you've got to have a different vantage point, slightly, each time.
Reviewer: 'One of your themes was very similar to one of Beethoven's!' Brahms replied, 'Of course it is. Everyone steals - the important thing is to do it brilliantly.
To my mind and ear, there is simply nothing that compares to the musical sophistication of a late Beethoven, Bartok, Schubert or Brahms work for minimal forces.
Listening to my regular favourites - Mozart, Beethoven, Brahms and so on - I always feel, quite misguidedly, that nothing can be too bad if such beauty and brilliance exists in the world.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?“ “Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
The real Brahms is nothing more than a sentimental voluptuary. rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.
I got to know E'Dawn when he was a trainee, and since becoming friends after performing together, we began dating in May 2016. We began dating after working on our music together.
It's funny, because in 1970 I met the Beatles quite by a chance at a party. It was the Beethoven bicentenary, and I was then also playing the Beethoven Sonatas. And that's all they wanted to hear about - I wanted to talk about them, and all they wanted to talk about was Beethoven.
If you think of the history, in the days of Brahms and Beethoven and all these guys, almost every concert was a new music concert. To play something old was really an exception.
The Detroit String Quartet played Brahms last night. Brahms lost.
I listen to either romantic classical music, Brahms or Beethoven or something like Mozart, or I go all the way contemporary and listen to Metallica or Adele, Radiohead, jazz, whatever it is that is completely opposite.
What makes a Beethoven symphony spectacular, what makes a Brahms rhapsody spectacular is that the patterns are wondrous.
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven’s. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart’s jewel, is Mendelssohn’s.
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