A Quote by Esha Gupta

I'd rather be appreciated for my character in a film than my looks. — © Esha Gupta
I'd rather be appreciated for my character in a film than my looks.
Vijay Sethupathi looks a film as a film. He never looks at what kind image he is going to get out of the character.
The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like.
What I try to do is write from the inside out. I really try to jump into the world of the film and the characters, try to imagine myself in that world rather than imagining it as a film I'm watching onscreen. Sometimes, that means I'm discovering things the way the audience will, with character and story.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
Be persecuted, rather than be a persecutor. Be crucified, rather than be a crucifier. Be treated unjustly, rather than treat anyone unjustly. Be oppressed, rather than be an oppressor. Be gentle rather than zealous. Lay hold of goodness, rather than justice.
Initially my makeup for the character of Ramola Sikand in TV serial 'Kahin Kisi Roz' raised eyebrows of many who were of the opinion that my looks were too gaudy. But soon I was appreciated by the viewers as well as the industry.
If you find yourself concentrating on the technology rather than the sociology, you're like the vaudeville character who loses his keys on a dark street and looks for them on the adjacent street because, as he explains, "The light is better there."
I never want to overstay my welcome for any character. I would rather people are excited by the ideas a character generates in them rather than feeling bored and wishing he would just go away.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
Due to the political nature of film, partisan film making, especially where the subject is close to the film makers hart, tend to be the norm, rather than the exception.
A human group transforms itself into a crowd when it suddenly responds to a suggestion rather than to reasoning, to an image rather than to an idea, to an affirmation rather than to proof, to the repetition of a phrase rather than to arguments, to prestige rather than to competence.
As a kid, I was playing a character, so the film was not on my shoulders. I did 11 films out of which three were appreciated and remembered. At that time no one was following my career, so it was easier. But now when you are a mature adult, it's a different experience.
I don't think anyone can grow unless he's loved exactly as he is now, appreciated for what he is rather than what he will be.
We love good looks rather than what is practical, Though good looks may prove destructive.
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