A Quote by Eskinder Nega

I am jailed, with around 200 other inmates, in a wide hall that looks like a warehouse. — © Eskinder Nega
I am jailed, with around 200 other inmates, in a wide hall that looks like a warehouse.
You can have a whole warehouse full of weapons, but if someone attacks you need to get that weapon fast. If you have to run to the warehouse and look around, you're going to get killed. You're better off with a little backpack of weapons instead of that warehouse.
In a dream I walked with God through the deep places of creation; past walls that receded and gates that opened through hall after hall of silence, darkness and refreshment--the dwelling place of souls acquainted with light and warmth--until, around me, was an infinity into which we all flowed together and lived anew, like the rings made by raindrops falling upon wide expanses of calm dark waters.
One eye of the photographer looks wide open through the viewfinder, the other, the closed looks into his own soul.
I am already in a couple Hall of Fames, like the Michigan Hall of Fame and the Dan Gable Professional Wrestling Hall of Fame, so my accolades speak for themselves. Let's just say I'm not losing any sleep over any Hall of Fame induction.
Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
Death Row inmates are almost twice as expensive to house each year as other inmates. Death penalty trials are much costlier than trials where execution is not a potential punishment and consume more time from judges, public defenders, and other legal personnel.
Obviously, everyone looks at whether we bring young footballers into the first team, that's one of the goals. But I wouldn't discard someone who is successful in life, that's big. The hall of fame in the academy should be a wide variety of stories.
When did women whose looks are not their living start conducting themselves like the simpering inmates of an Ottoman empire seraglio?
As a splendid palace deserted by its inmates looks like a ruin, so does a man without character, all his material belongings notwithstanding.
That buy is totally cracked out," Vic said one day, as we walked past Balthazar in the great hall. I don't think he's on alything." I didn't mean, for real. If he was cracked out for real, he'd probably be having more fun, right?" Vic shrugged. "Balty looks like he's not having any fun. He looks like he never had any. Like he wouldn't know fun if it started dancing around yelling 'I'm fun' in his face.
I like to borrow a metaphor from the great poet and mystic Rumi who talks about living like a drawing compass. One leg of the compass is static. It is fixed and rooted in a certain spot. Meanwhile, the other leg draws a huge wide circle around the first one, constantly moving. Just like that, one part of my writing is based in Istanbul. It has strong local roots. Yet at the same time the other part travels the whole wide world, feeling connected to several cities, cultures, and peoples.
Civilization today reminds me of an ape with a blowtorch playing in a room full of dynamite. It looks like the monkeys are about to operate the zoo, and the inmates are taking over the asylum.
I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?
The claim that too many criminals are being jailed, that there is over-incarceration, ignores an unfortunate fact: For the vast majority of crimes, a perpetrator is never identified or arrested, let alone prosecuted, convicted and jailed.
I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.
To walk into the hall of mirrors of Versailles as Louis XIV and deliver a monologue on your own in an empty hall of mirrors is like no other experience.
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