A Quote by Esme Creed-Miles
Even if an actor might not nail the moves in a way than a stunt person might, I wanted to bring the character of 'Hanna' into everything that she did.
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An actor would be foolish to do something that might hold up the picture, or more importantly incapacitate him. If an actor does do a stunt he needs to make sure a stunt man stands by to see that it's done correctly.
The doctor's wife wasn't a bad woman. She was sufficiently convinced of her own importance to believe that God actually did watch everything she did and listen to everything she said, and she was too taken up with rooting out the pride she was prone to feeling in her own holiness to notice any other failings she might have had. She was a do-gooder, which means that all the ill she did, she did without realizing it.
Now is the moment in the timetable of the Lord to carry the gospel farther than it has ever been carried before.... Many a person in this world is crying, knowingly and unknowingly, 'Come over ... and help us.' He might be your neighbor. She might be your friend. He might be a relative. She might be someone you met only yesterday. But we have what they need. Let us take new courage from our studies and pray, as did Peter, 'And now, Lord, ... grant unto thy servants, that with all boldness they may speak thy word'
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
I discovered my physicality, I discovered running, and endorphins, and the sort of amazing way that people are meant to move. And that's what's great about 'Hanna,' because she moves. She's human and she embodies all of that.
RuPaul might not broadcast herself as political, but I think she tries to make moves in American history by catching more flies with honey than vinegar. Rather than telling people to vote, maybe she'll do a mini-challenge on voting. She understands that you can influence people in a good way without preaching.
She went out and took a last long look at the shabby little library. She knew she would never see it again. Eyes changed after they looked at new things. If in the years to be she were to come back, her new eyes might make everything seem different from the way she saw it now. The way it was now was the way she wanted to remember it.
Jesus offered a single incentive to follow himto summarize his selling point: 'Follow me, and you might be happy-or you might not. Follow me, and you might be empowered-or you might not. Follow me, and you might have more friends-or you might not. Follow me, and you might have the answers-or you might not. Follow me, and you might be better off-or you might not. If you follow me, you may be worse off in every way you use to measure life. Follow me nevertheless. Because I have an offer that is worth giving up everything you have: you will learn to love well.'
I was amazed by this person who, even though she had everything, would go to feed the homeless and visit sick children and Aids victims. It was like a fairy tale. Who was she really? Why did she do this? She was trying to find love. I wanted the world to see her kindness, her humility: I think she realised that would be her way.
Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
Terrible, it was terrible. Even today and it's been several months now you just bring it up and I tear up a little bit, terribly. You know when you're that close that long and got along as well as we did, we seldom had any serious arguments. We might have - might discuss which movie we wanted to see and what play we wanted to go to, where we ought to go for a vacation but that usually didn't last very long because we were much of the same mind all the time.
It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
I'm gonna play this game the way I want to. It might be serious, it might be a comedy, it might be a dramedy, it might be variety, it might be a talk show, whatever. There's no box.
Nothing is known for sure, even the person who was there isn't entirely sure he or she had the same response as the other in that moment. One person might have fallen head over heels, the other might have been thinking about what to have for dinner and inadvertently making eye contact.
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