A Quote by Esme Creed-Miles

I thought 'Hanna' was an opportunity to explore a character whose femininity was so raw and unconditioned by the modern world. — © Esme Creed-Miles
I thought 'Hanna' was an opportunity to explore a character whose femininity was so raw and unconditioned by the modern world.
For me, masculinity is about control, and femininity is more of an embrace, the art of listening. It's very inspiring to explore the shadows of masculinity and femininity, and the tensions between both, and the place of women in the world right now.
I'm very sensitive about the fact that there's not a lot of good work for women in cinema that also deals with strong characters. But 'strong character' doesn't mean 'masculine character' - but something that finds the strength in femininity and the beauty in femininity. And something that says you can find femininity in men in some way.
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
Simple femininity is the most important thing about a woman, and it is a quality a great many women are in jeopardy of losing. Women are being emancipated out of their femininity in this modern age.
Battle with unconditioned breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens.
It would be interesting to explore an opportunity if Hindi filmmakers think I can fit into any character in a film.
The peasant of early modern France inhabited a world of step-mothers and orphans, of inexorable, unending toil, and of brutal emotions, both raw and repressed.The human condition has changed so much since then that we can hardly imagine the way it appeared to people whose lives really were nasty, brutish, and short. This is why we need to reread Mother Goose.
But in fact as knowledge expands globally it is being lost locally. This is the paramount truth of the modern history of rural places everywhere in the world. And it is the gravest problem of land use: Modern humans typically are using places whose nature they have never known and whose history they have forgotten; thus ignorant, they almost necessarily abuse what they use.
We thought of universities as the cathedrals of the modern world. In the middle ages, the cathedral was the center and symbol of the city. In the modern world, its place could be taken by the university.
Many of us reject all of the inferior meanings and connotations that others project onto femininity - that it is weak, artificial, frivolous, demure, and passive - because for us, there has been no act more bold and daring than embracing our own femininity. In a world that is awash in antifeminine sentiment, we understand that embracing and empowering femininity can potentially be one of the most transformative and revolutionary acts imaginable.
I have turned away from the thought of writing fiction in the past through what I suppose is, actually, fear. The direct, raw invitation for the reader to come in and explore my imagination is fairly scary for me so I have busied myself with so much else.
What was really special about 'Hanna' as a character is her pursuit of agency.
People of all sexes have the right to explore femininity, masculinity-and the infinite variations between-without criticism or ridicule.
The media had built my perception of being a strong woman because of my personal life. I wanted to play the damsel in distress, but I wasn't given an opportunity to explore that kind of a character.
To study consumer behavior is to explore human nature at its most fundamental level using the modern world as its backdrop.
The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
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