A Quote by Esperanza Spalding
There's nothing wrong with struggle. Anytime I look back at a difficult phase of my life and see what grew out of it - the creative survival tactics - I think that the good is way better than the bad.
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There's nothing wrong with commercial art. There's nothing wrong with consumer society. There's nothing wrong with advertising. There's nothing wrong with shopping and spending money and being paid. There's nothing wrong with any of these things. These are things we do. I just think it's important to look at them from a different perspective - to see how bizarre and banal these rituals we partake in are. It's just important to think about them, I think, and to carry on. Life is about retrospection, and I think that goes for every facet of life.
Struggle is always very demoralising. It's not a romantic phase in anybody's life. It's very difficult. What it does is, it brings out your creativity in different way.
I'm so happy with the show. There's nothing in this life I'll ever regret - bad or good. I look back, learn from it, and be a better man the next day.
If you look at life as a whole, we have to admit life's good where we live. But in an evil Twilight Zone kind of way there's nothing else to choose. In the old days there was always a Bohemia or a creative under-world to join if the mainstream life wasn't your bag - or a life of crime, or even religion.And now there's only the system. All other options have evaporated. For most people it's the System or what... death? There's nothing. There's no way out now.
I think anytime you set out to start doing something, it's always a difficult thing. It's a theory of a blank sheet of paper, for an artist; It's a challenge to put yourself in that position in life, and even in your mind, to put the two together. But you have to, and so that's what you do. I tend to look at it as less than a problem than a process.
Maybe age is kinder to us than we think. With my bad eyes, I can't see how bad I look, and with my rotten memory, I have a good excuse for getting out of a lot of stuff.
If evolution was worth its salt, it should've evolved something better than 'survival of the fittest.' I think a better idea would be 'survival of the wittiest.' At least, that way, creatures that didn't survive could've died laughing.
I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.
In philosophy class I think we finally decided that 'good' is an infinitely recursive term - it can't be defined except in terms of itself. Good is good because it's better than bad, though why it's better to be good than bad depends on how you define good, and on and on.
The system has a way of convincing people that because they live in the USA they are better off than all other people in the world. This gets them focused on the wrong things, of course, but it has been a tried and true way of deflecting class struggle, something I don't think Marx didn't fully anticipated. The education system, and the whole culture really, has a lot to do with how these feelings are transmitted to each new generation. When parents say their kids were heroes when they died for nothing in Iraq, you can see the power of this.
I don't remember ever being see-saw, when I'd made my mind up that a thing was wrong. It takes the taste out o' my mouth for things, when I know I should have a heavy conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow creatures worse off instead o' better.
I was raised with a single mom and we had a very specific, very particular relationship. She worked with me and my job. I was almost three and we traveled everywhere together and she was really in my life in a really profound way. The most significant relationship of my life. It was beautiful and also an incredible, difficult struggle. I know how creative that life is, and how difficult it is to figure it out.
I prefer people to disagree with me because I really don't think I'm smart enough to know what all the answers are and I think the back and forth ... we have a lot of it in our office, strong personalities, big intellects, good ideas - I think that back and forth has produced better strategies and tactics for us than if I sat in my office and decided we're doing those 10 things and that's the end of it.
There are some people who might have better technique than me, and some may be fitter than me, but the main thing is tactics. With most players, tactics are missing. You can divide tactics into insight, trust, and daring. In the tactical area, I think I just have more than most other players.
Do it the hard way! Think ahead of your job. Then nothing in the world can keep the job ahead from reaching out for you. Do it better than it need be done. Next time doing it will be child's play. Let no one or anything stand between you and the difficult task, let nothing deny you this rich chance to gain strength by adversity, confidence by mastery, success by deserving it. Do it better each time. Do it better than anyone else can do it. I know this sounds old-fashioned. It is, but it has built the world.
I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.
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