A Quote by Estelle

Collaboration is the way to go. It's very timely and fun to do. — © Estelle
Collaboration is the way to go. It's very timely and fun to do.
It's always a fun collaboration with my brother. I'm very fortunate to be able to work with him. There's an honesty to collaboration. There's a lack of a gender or ego in our conversations. And so you can really throw anything around.
I love collaboration of all kinds, and I love the way that collaboration pulls me into directions I wouldn't go in if I was working on my own.
Innocence is the way you really give fun to others, create the fun part of it. The fun is created only through innocence and innocence is the only way you can really emit also the fun. Imagine this world without any fun, what would happen? But people are very much confused between fun and the pleasure. The pleasure is nice to begin with and horrible to end with. But fun is a treasure. Anything that is full of fun you remember all your life.
It's very nourishing and collaborative - kind of the true essence of what one would want an artistic collaboration to be [the collaboration with Oprah Winfrey].
I try to find where the fun is and go there and then get asked if I want to have more fun. That's the way I want my life to go. Follow the fun.
Every collaboration I do, I feel like I've benefitted in so many different ways; it all depends on the organization. With Moncler, there is such a heritage to the brand and to the way that they work. With Brooks Brothers, in the same way, having the heritage to draw from in that collaboration is invaluable.
Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.
Timely service, like timely gifts, is doubled in value.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
Sculpture, for me, provides that environmental discipline where you actually move in and around it. And if you have a good collaboration with an architect, to combine those aspects of color - I'm talking about color becoming a form within the building - that is a very different approach. I love contemporary architecture, which makes collaboration more interesting-and you have to be able to collaborate. It's like making a film, in a way: Everyone is a part of the team.
One way a collaboration can go wrong is if your connection is inauthentic or overly prescriptive.
Sometimes, great collaboration is hard to nurture online, so doing so offline is the way to go.
I work with Sally and I can see Sally doing that. She is very aggressive. Very fun loving and charming... and pushy in a very competitive way and a very healthy way and a very good actress.
To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.
Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
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