A Quote by Estelle

I love rom-coms. Any will do. Films such as 'How to Lose a Guy in 10 Days' or 'Funny Face' with Audrey Hepburn. — © Estelle
I love rom-coms. Any will do. Films such as 'How to Lose a Guy in 10 Days' or 'Funny Face' with Audrey Hepburn.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I'm perfectly happy to have the reputation as a comedian. I love comedies, I would love to be doing more comedies. But I also feel like I hit the limit on playing the girlfriend type in a lot of rom-coms that aren't actually rom-coms, but guy movies that happen to have girls in them.
I, for one, personally like rom-coms, silly rom-coms, but at the same time, I also want to watch a documentary or an award-winning drama.
Films with predominantly white casts can come in any form, tell any story, big or small. For black films, you have the light, fluffy rom-coms or 'Madea' movies, and then you have the black-torture awards movie.
I love rom-coms, and I was bummed that they sort of stopped making them around the time I was old enough to be in them. But at the same time, I so respected the fact that the genre kind of needed an update. But you know, even when rom-coms were at their hey-day, very few people did it at the level of Nancy Meyers.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
We love rom-coms, but it's getting to where we don't identify with any of the women in them.
I love Katharine Hepburn. I love Liesl in 'The Sound of Music.' I love Julie Andrews. I love Audrey Hepburn.
I just told my agent to forget all other projects for me. I was waiting for Audrey Hepburn. She asked for me, and I was ready. This could be the last and only opportunity I’d have to work with the great and lovely Audrey Hepburn and I was not missing it. Period.
Oh, man. I love '13 Going on 30,' 'I love Failure to Launch,' I love 'How to Lose a Guy in 10 Days.'
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
Audrey Hepburn's face was made for the camera.
One of the things that 'Love, Simon' is doing that hasn't been done before is it's a gay teen rom-com with a mainstream wide release and the backing of a studio that previous gay rom-coms have not had. I'm really excited by that.
I definitely have that bug; I'd really like to do some auteur, existential pieces, darker films, something that's really reflective of life. But I also love the genre of rom-coms, and I don't see myself completely detaching from that.
I'm still young and rom-coms suit me more than the hardcore action films which I did before.
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